GENERAL DESCRIPTION
A site-specific work for the Dallas Museum of Art's Sculpture Garden, Dallas Snake is an enormous, lively, and surreal sculpture standing over fifteen feet tall. Made by "braiding" or "interlocking" three found objects—an I-beam found at a demolition site, a working red-lighted lamppost, and huge anchor chains (each link a foot long)—the work is a giant cobra, uncoiling and dancing, its red head reaching above the garden walls. Mark Handforth has stated, "The chain snake is an oversized readymade, an aggrandized piece of folk art—the kind of thing you might put your mailbox on, but of catastrophic proportion."
Absurd and elegant, figurative and abstract, Handforth's Dallas Snake animates the space, conversing with the sculptures nearby. Barely containing a pulsating energy, the snake seems to pull itself together, building up the necessary momentum to climb over the walls and escape the "prison yard." Rising above the walls and peeking through the trees, its red-lighted head watches life on the other side of the walls, both night and day—passersby, high-rise buildings, and even its boring cousins, the everyday street lamps along the sidewalk. The snake is both a voyeur and an assertive playmate, watching and wanting to take on the Museum's Mark di Suvero [1976.10], made from I-beams, and the masterpieces of modern sculpture in the nearby Nasher Sculpture Center.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art, 2018), 100.
NOTES
HAB added general description
This catalogue entry is pulled from Suzanne Weaver's Acquisition Proposal, dated 05/01/2007, copy in object file. CLC.
Catalogue essays
Artist/designers
Handforth_Mark: ULAN: 500122495
Cultures
Geography
Process/materials
chains (object genre): AAT: 300014625
lampposts: AAT: 300101536
Historical periods
Individuals
Subject terms
Dallas (Texas/United States): TGN: 7013503
found objects: AAT: 300047210
movement (compositional concept): AAT: 300400859
ready-mades: AAT: 300185153
serpents (snakes/Serpentes suborder): AAT: 300250870
site-specific works: AAT: 300193298
postmodern (international style and movement): AAT: 300022208
red (color): AAT: 300126225
yellow (color): AAT: 300127794
construction (assembling): AAT: 300054608
sculpture: AAT: 300047090
braiding (textile technique): AAT: 300053638
scale (relative size): AAT: 300056307
RELATED OBJECTS
PROVENANCE
Until June 14, 2007: Gavin Brown's enterprise, Inc.
June 14, 2007: Dallas Museum of Art, TWO X TWO for AIDS and Art Fund and Lay Family Acquisition Fund
The main source for this provenance is the Dallas Museum of Art purchase order dated June 14, 2007, copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- The Hammer Museum~Explore other large-scale installation works by Mark Handforth.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2007.39
Category
rules_operator
AND
General Description
A site-specific work for the Dallas Museum of Art's Sculpture Garden, Dallas Snake is an enormous, lively, and surreal sculpture standing over fifteen feet tall. Made by "braiding" or "interlocking" three found objects—an I-beam found at a demolition site, a working red-lighted lamppost, and huge anchor chains (each link a foot long)—the work is a giant cobra, uncoiling and dancing, its red head reaching above the garden walls. Mark Handforth has stated, "The chain snake is an oversized readymade, an aggrandized piece of folk art—the kind of thing you might put your mailbox on, but of catastrophic proportion."
Absurd and elegant, figurative and abstract, Handforth's Dallas Snake animates the space, conversing with the sculptures nearby. Barely containing a pulsating energy, the snake seems to pull itself together, building up the necessary momentum to climb over the walls and escape the "prison yard." Rising above the walls and peeking through the trees, its red-lighted head watches life on the other side of the walls, both night and day—passersby, high-rise buildings, and even its boring cousins, the everyday street lamps along the sidewalk. The snake is both a voyeur and an assertive playmate, watching and wanting to take on the Museum's Mark di Suvero [1976.10], made from I-beams, and the masterpieces of modern sculpture in the nearby Nasher Sculpture Center.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art, 2018), 100.
Fun Facts
Archival Resources
Web Resources
Notes
HAB added general description
This catalogue entry is pulled from Suzanne Weaver's Acquisition Proposal, dated 05/01/2007, copy in object file. CLC.
Catalogue essays
Artist/designers
Handforth_Mark: ULAN: 500122495
Cultures
Geography
Process/materials
chains (object genre): AAT: 300014625
lampposts: AAT: 300101536
Historical periods
Individuals
Subject terms
Dallas (Texas/United States): TGN: 7013503
found objects: AAT: 300047210
movement (compositional concept): AAT: 300400859
ready-mades: AAT: 300185153
serpents (snakes/Serpentes suborder): AAT: 300250870
site-specific works: AAT: 300193298
postmodern (international style and movement): AAT: 300022208
red (color): AAT: 300126225
yellow (color): AAT: 300127794
construction (assembling): AAT: 300054608
sculpture: AAT: 300047090
braiding (textile technique): AAT: 300053638
scale (relative size): AAT: 300056307
RELATED OBJECTS
PROVENANCE
Until June 14, 2007: Gavin Brown's enterprise, Inc.
June 14, 2007: Dallas Museum of Art, TWO X TWO for AIDS and Art Fund and Lay Family Acquisition Fund
The main source for this provenance is the Dallas Museum of Art purchase order dated June 14, 2007, copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2007.39
source file
object_notes_1_a-0325.xml.nores