1985.R.591, Unknown maker, Table, 17th century


GENERAL DESCRIPTION  
Fashion designer, Gabrielle (Coco) Chanel, originally installed this wooden table at Villa La Pausa, and it remained part of the villa's decor through the residency of Wendy and Emery Reves. Over the years, items of furniture moved from from one room to another before finishing their journey in very different rooms in the Reves' wing in the Dallas Museum of Art. This table, for example, was originally situated in Chanel's bedroom in the early years of La Pausa, but was eventually moved to the dining room where it remains today in the recreated dining room in Dallas. One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at table but as a buffet.

Adapted from
  • DMA unpublished material
  • Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 16 and 20.


NOTES
TMS updates:
Title
Geography
Provenance
Text entries
Tag photo in From Chanel to Reves on page 17 and 21 once permission to use is granted

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

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RELATED OBJECTS 

PROVENANCE 
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France

1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007)


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VIDEO ASSETS

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WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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apply to objects where id equals 4104589


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General Description
 
Fashion designer, Gabrielle (Coco) Chanel, originally installed this wooden table at Villa La Pausa, and it remained part of the villa's decor through the residency of Wendy and Emery Reves. Over the years, items of furniture moved from from one room to another before finishing their journey in very different rooms in the Reves' wing in the Dallas Museum of Art. This table, for example, was originally situated in Chanel's bedroom in the early years of La Pausa, but was eventually moved to the dining room where it remains today in the recreated dining room in Dallas. One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at table but as a buffet.

Adapted from
  • DMA unpublished material
  • Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 16 and 20.


Fun Facts

Archival Resources

Web Resources
 

Notes
TMS updates:
Title
Geography
Provenance
Text entries
Tag photo in From Chanel to Reves on page 17 and 21 once permission to use is granted

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France

1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007)


AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
id
Equals
4104589
tags
#draft
#completed
%copyedited_Gail
%Archived
carving (processes): AAT: 300053149
*Decorative Arts and Design
@bartsch-allen
furnishings (Hierarchy Name): AAT: 300037335
wood (plant material): AAT: 300011914
Chanel_Coco: ULAN: 500072500
tables (support furniture): AAT: 300039548
stretchers (furniture components): AAT: 300189548
Roquebrune (France): TGN: 7017267
2366601083: UMO
248386556: UMO
source file
object_notes_1_a-0184.xml.nores