GENERAL DESCRIPTION
The folding screen, or biombo, is a unique furniture form which developed as an adaptation of Japanese screens in colonial Mexico. These syncretic luxury goods reflect the colonial elite taste for Japanese byobu, or folding screens. Byobu are moveable multi-panel screens that serve as supports for painting, and which are documented in Japan since the 7th century CE. They first arrived in the colonial viceroyalty of New Spain in 1614, when the Japanese shogun Takugawa Ieyasu sent ten examples as gifts to the viceroy. Greatly impressed with the byobu, the elite began ordering screens both from Asia and from local workshops for use in their own homes. Colonial artists adapted the format of the Japanese screens using their own materials, techniques, and visual vocabularies, which resulted in the biombo, a moveable screen with wooden or canvas panels. In addition to reflecting the international trade of the Bourbon period, biombos are also prestige objects that reflect the identity and politics of the criollo caste in New Spain—that is, those of European descent who were born in the Americas.
The elaborate painted and gilt decoration on this screen represents the baroque style of mid-18th-century European and Mexican decorative painting, but the central scenes are taken from a 17th-century emblem book by the Flemish artist Otto van Veen. In the book, van Veen illustrated moralizing quotations from the Roman writer Horace with his own engravings. The volume proved extremely popular, and numerous editions were produced during the next century, including a Spanish one in 1669. Here, the moralizing visual emblems, as well as their accompanying captions and verses of poetry, would allow the owner of the biombo to foreground their intellectualism and civic virtue while entertaining guests.
Chloë Courtney, Digital Collections Content Coordinator, 2018
Drawn from
- Kelly Donahue-Wallace, Art and Architecture of Viceregal Latin America, 1521-1821 (Albuquerque: University of New Mexico Press, 2008), 211-217.
- Candace Carlisle Vilas, "Biombo with Otto Van Veen Emblems," DMA Unpublished material, 2016.
- Kevin Tucker, Label text, 2006.
NOTES
Michelle Rich reviewed and approved this content, 12/17/18. CLC
Catalogue essays
Artist/designers
Cultures
Geography
Mexico (nation): TGN: 7005560
Process/materials
gilt: AAT: 300379350
Historical periods
eighteenth century: AAT: 300404512
Colonial Latin American (Spanish Colonial / styles and periods): AAT: 300018082
Colonial Period (Spanish Colonial): AAT: 300107033
Colonial Spanish American (Spanish Colonial / styles and periods): AAT: 300343841
Individuals
Horace (Roman poet): ULAN: 500404135
Veen_Otto van (Flemish painter): ULAN: 500005170
Subject terms
colonials (people): AAT: 300236418
decorative arts: AAT: 300054168
emblem books: AAT: 300026286
emblems (allegorical pictures): AAT: 300123040
folding screens: AAT: 300265156
furniture: AAT: 300037680
hybridity: AAT: 300262022
Japan (nation): TGN: 1000120
luxury (concept / condition): DMA
morality: AAT: 300417426
painting (visual works): AAT: 300033618
poetry: AAT: 300055931
politics: AAT: 300055537
prestige: AAT: 300343604
room dividers: AAT: 300002547
Spain (nation): TGN: 1000095
trade (function): AAT: 300061886
values (philosophical concepts): AAT: 300379408
virtue: AAT: 300379122
RELATED OBJECTS
PROVENANCE
n.d.: private collection
Before 1981: Hastings House Antiques, Essex, Connecticut
1981-1993: Elton and Martha Hyder, Ft Worth, purchased from above at the Tri Delta Antiques Show, Dallas
From 1993: Dallas Museum of Art, gift of the Stanley and Linda Marcus Foundation, purchased from above through William B. Jordan
The main source for this provenance is an unpublished document titled "History of Screen," original copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- The Metropolitan Museum of Art~Read more about Arts of the Spanish Americas, 1550–1850.
- The Metropolitan Museum of Art~Read more about Mexico, 1400–1600 C.E.
- The Metropolitan Museum of Art~Read more about Mexico and Central America, 1600–1800 C.E.
- The Metropolitan Museum of Art~Read more about The Manila Galleon Trade (1565–1815).
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1993.74.A-B
Category
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General Description
The folding screen, or biombo, is a unique furniture form which developed as an adaptation of Japanese screens in colonial Mexico. These syncretic luxury goods reflect the colonial elite taste for Japanese byobu, or folding screens. Byobu are moveable multi-panel screens that serve as supports for painting, and which are documented in Japan since the 7th century CE. They first arrived in the colonial viceroyalty of New Spain in 1614, when the Japanese shogun Takugawa Ieyasu sent ten examples as gifts to the viceroy. Greatly impressed with the byobu, the elite began ordering screens both from Asia and from local workshops for use in their own homes. Colonial artists adapted the format of the Japanese screens using their own materials, techniques, and visual vocabularies, which resulted in the biombo, a moveable screen with wooden or canvas panels. In addition to reflecting the international trade of the Bourbon period, biombos are also prestige objects that reflect the identity and politics of the criollo caste in New Spain—that is, those of European descent who were born in the Americas.
The elaborate painted and gilt decoration on this screen represents the baroque style of mid-18th-century European and Mexican decorative painting, but the central scenes are taken from a 17th-century emblem book by the Flemish artist Otto van Veen. In the book, van Veen illustrated moralizing quotations from the Roman writer Horace with his own engravings. The volume proved extremely popular, and numerous editions were produced during the next century, including a Spanish one in 1669. Here, the moralizing visual emblems, as well as their accompanying captions and verses of poetry, would allow the owner of the biombo to foreground their intellectualism and civic virtue while entertaining guests.
Chloë Courtney, Digital Collections Content Coordinator, 2018
Drawn from
- Kelly Donahue-Wallace, Art and Architecture of Viceregal Latin America, 1521-1821 (Albuquerque: University of New Mexico Press, 2008), 211-217.
- Candace Carlisle Vilas, "Biombo with Otto Van Veen Emblems," DMA Unpublished material, 2016.
- Kevin Tucker, Label text, 2006.
Fun Facts
Archival Resources
Web Resources
- The Metropolitan Museum of Art~Read more about Arts of the Spanish Americas, 1550–1850.
- The Metropolitan Museum of Art~Read more about Mexico, 1400–1600 C.E.
- The Metropolitan Museum of Art~Read more about Mexico and Central America, 1600–1800 C.E.
- The Metropolitan Museum of Art~Read more about The Manila Galleon Trade (1565–1815).
Notes
Michelle Rich reviewed and approved this content, 12/17/18. CLC
Catalogue essays
Artist/designers
Cultures
Geography
Mexico (nation): TGN: 7005560
Process/materials
gilt: AAT: 300379350
Historical periods
eighteenth century: AAT: 300404512
Colonial Latin American (Spanish Colonial / styles and periods): AAT: 300018082
Colonial Period (Spanish Colonial): AAT: 300107033
Colonial Spanish American (Spanish Colonial / styles and periods): AAT: 300343841
Individuals
Horace (Roman poet): ULAN: 500404135
Veen_Otto van (Flemish painter): ULAN: 500005170
Subject terms
colonials (people): AAT: 300236418
decorative arts: AAT: 300054168
emblem books: AAT: 300026286
emblems (allegorical pictures): AAT: 300123040
folding screens: AAT: 300265156
furniture: AAT: 300037680
hybridity: AAT: 300262022
Japan (nation): TGN: 1000120
luxury (concept / condition): DMA
morality: AAT: 300417426
painting (visual works): AAT: 300033618
poetry: AAT: 300055931
politics: AAT: 300055537
prestige: AAT: 300343604
room dividers: AAT: 300002547
Spain (nation): TGN: 1000095
trade (function): AAT: 300061886
values (philosophical concepts): AAT: 300379408
virtue: AAT: 300379122
RELATED OBJECTS
PROVENANCE
n.d.: private collection
Before 1981: Hastings House Antiques, Essex, Connecticut
1981-1993: Elton and Martha Hyder, Ft Worth, purchased from above at the Tri Delta Antiques Show, Dallas
From 1993: Dallas Museum of Art, gift of the Stanley and Linda Marcus Foundation, purchased from above through William B. Jordan
The main source for this provenance is an unpublished document titled "History of Screen," original copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1993.74.A-B
source file
object_notes_1_a-0167.xml.nores