GENERAL DESCRIPTION
Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collection has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.
This teapot is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig.
Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.
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Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collestion has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.
The teapot on the left is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig. The other teapot is the same shape, but has applied leaves, twigs, and squirrels in iron-red, green, and gold.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.
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PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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The Metropolitan Museum of Art~Read more about Chinese Export Porcelain
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Apply to objects where number equals 1985.R.930.A-C
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General Description
Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collection has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.
This teapot is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig.
Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
provenance
search dates
text entry
place of origin
Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collestion has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.
The teapot on the left is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig. The other teapot is the same shape, but has applied leaves, twigs, and squirrels in iron-red, green, and gold.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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1985.R.930.A-C
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object_notes_1_a-0165.xml.nores