1963.153 Coques, The Promenade


GENERAL DESCRIPTION  
On the edge of a grand formal garden, a man presents an elegant woman with the rose he has just gathered from a bush. They are dressed in expensive black fabrics, the woman pulling up her overgown to reveal her precious crimson skirt underneath. While this could be a scene of courtship, it is more probably a portrait of a married couple enjoying a moment of romantic respite as a maid walks towards them on the long alley, about to reunite them with their two children. This minutely painted picture on copper is characteristic of Coques’s elegant style, which was to the taste of Antwerp’s sophisticated merchant class. A native of the Flemish city, he may have spent time in England, where he received the nickname “the Little Van Dyck”, due to the perceived influence of Anthony van Dyck on his work.

Excerpt from
Julien Domercq, Label text (1963.153), 2020

NOTES
5/13/2020- Covid-19 closure; Online sprint devoted to European galleries; Julien wrote or re-wrote 9 European object labels and has asked Emily Schiller to try to make this content available online by 5/17/2020. As with most content on the online collection, this text has not been edited by Queta. This text is the original draft from Julien and will be edited for interpretation standards and routed as a wall label in Fall 2020.

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General Description
 
On the edge of a grand formal garden, a man presents an elegant woman with the rose he has just gathered from a bush. They are dressed in expensive black fabrics, the woman pulling up her overgown to reveal her precious crimson skirt underneath. While this could be a scene of courtship, it is more probably a portrait of a married couple enjoying a moment of romantic respite as a maid walks towards them on the long alley, about to reunite them with their two children. This minutely painted picture on copper is characteristic of Coques’s elegant style, which was to the taste of Antwerp’s sophisticated merchant class. A native of the Flemish city, he may have spent time in England, where he received the nickname “the Little Van Dyck”, due to the perceived influence of Anthony van Dyck on his work.

Excerpt from
Julien Domercq, Label text (1963.153), 2020

Fun Facts

Archival Resources

Web Resources
 

Notes
5/13/2020- Covid-19 closure; Online sprint devoted to European galleries; Julien wrote or re-wrote 9 European object labels and has asked Emily Schiller to try to make this content available online by 5/17/2020. As with most content on the online collection, this text has not been edited by Queta. This text is the original draft from Julien and will be edited for interpretation standards and routed as a wall label in Fall 2020.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1963.153
tags
#completed
hairstyles: AAT: 300262903
oil paint: AAT: 300015050
@Schiller
%TMS pending
*European Art
foreground: AAT: 300056367
atmospheric perspective: AAT: 300133044
couple (grouping of figures): AAT: 300379217
copper (metal): AAT: 300011020
clouds: AAT: 300343840
walking: AAT: 300248181
England (nation): TGN: 7002445
roses (flowers/plants/rosa genus): AAT: 300266246
children (people by age group): AAT: 300025945
Antwerp (Belgium): TGN: 7007856
linear perspective (technique): AAT: 300056348
arches: AAT: 300000994
gardens (open spaces): AAT: 300008090
social classes: AAT: 300138992
promenades (walkways): AAT: 300008329
Dyck_Anthony van: ULAN: 500115190
wealth: AAT: 300055767
romantic partners: AAT: 300400493
walkways: AAT: 300008312
fountains: AAT: 300006179
Coques_Gonzales: ULAN: 500009554
source file
object_notes_1_a-0010.xml.nores