Historical Painting Techniques

GENERAL DESCRIPTION
Much of our knowledge of painting techniques comes from technical examinations of paintings. However, we also have access to painters' recipe books, some dating from Roman times, which describe the manufacture of paints, varnishes, and gesso. In the Medieval period, painters' guilds controlled the quality of craftsmanship with long apprenticeships and set rules for the manufacture and use of painting materials. Artists' techniques and materials are well documented by contemporary critics in the Renaissance. Each artist built on the knowledge and ability of other artists. Prior to the industrial production of paints in the 18th century, a great deal of technical knowledge was required for the medium's preparation. For example, when creating oil paints, some pigments required only a small amount of oil; others needed much more oil. Some colors were more intense if the pigment was ground only a short time; others had to be ground to a very fine texture. 

NOTES
Source- Anne Bromberg, "Painting: Materials and Techniques," DMA research document, Education files, 1986-1987.

Does this rule need to be revised to narrow results to Western paintings? (Current results- 1264) Or should it be broadened to include other classifications that also show paint applied to other types of surfaces (ceramic, sculpture, works on paper, etc.)

This note was routed and reviewed by Sue in October 2016. I made changes and am tagging it #routed until those revisions are uploaded to GDrive. At that point, this note can be tagged #complete.
After verifying revisions visible in GDrive, I removed routed tag and added completed tag- 1/24/2017.

ASSOCIATED CONTENT CHUNKS

AUDIO ASSETS 
A Conversation About Art Conservation - with a close look at the work of Jackson Pollock
256636029: UMO

Conservation and the Dallas Museum of Art: A Look at the Conservation Studio
16085719: UMO

Brettell Lecture: Painting Techniques of the Impressionists; Anthea Callen, 2015.
174691002: UMO

VIDEO ASSETS  

IMAGE ASSETS 
Consider using object photo of an image showing painter at work?
2000.228.FA Charles Camoin, Artist in Her Studio, 1905. 


Currently illustrating this CC with a detail photo of Mark Leonard working on Pissaro. 
47903882: Image

Materials and Meaning installation image, C3 2008. This display case shows a selection of powdered pigments, binders, and paints.
12328118: UMO

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS 

TEACHING IDEAS 

RULES
Apply to objects where classification_name equals paintings
rules_operator
AND
General Description
Much of our knowledge of painting techniques comes from technical examinations of paintings. However, we also have access to painters' recipe books, some dating from Roman times, which describe the manufacture of paints, varnishes, and gesso. In the Medieval period, painters' guilds controlled the quality of craftsmanship with long apprenticeships and set rules for the manufacture and use of painting materials. Artists' techniques and materials are well documented by contemporary critics in the Renaissance. Each artist built on the knowledge and ability of other artists. Prior to the industrial production of paints in the 18th century, a great deal of technical knowledge was required for the medium's preparation. For example, when creating oil paints, some pigments required only a small amount of oil; others needed much more oil. Some colors were more intense if the pigment was ground only a short time; others had to be ground to a very fine texture. 

Fun Facts
 
Archival Resources

Web Resources
 

Notes
Source- Anne Bromberg, "Painting: Materials and Techniques," DMA research document, Education files, 1986-1987.

Does this rule need to be revised to narrow results to Western paintings? (Current results- 1264) Or should it be broadened to include other classifications that also show paint applied to other types of surfaces (ceramic, sculpture, works on paper, etc.)

This note was routed and reviewed by Sue in October 2016. I made changes and am tagging it #routed until those revisions are uploaded to GDrive. At that point, this note can be tagged #complete.
After verifying revisions visible in GDrive, I removed routed tag and added completed tag- 1/24/2017.

rules
Apply To
Objects
constituent_id
Equals
paintings
tags
#draft
#completed
%copyedited_Gail
paint (coating): AAT: 300015029
%inadequate rules
painting (image-making): AAT: 300054216
*Contemporary Art
@Schiller
*American Art
*European Art
pigment: AAT: 300013109
gesso: AAT: 300014952
varnish: AAT: 300014974
12328118: UMO
primer (material): AAT: 300015304
174691002: UMO
256636029: UMO
16085719: UMO
47903882: Image
source file
materials_and_techniques-0208.xml.nores