GENERAL DESCRIPTION
The term Zenga refers generally to the ink paintings and calligraphy of Zen masters of China, Korea, and Japan, although it usually refers to works of Edo-period Japan. Painting and calligraphy were an important medium for the transmission of Zen principles, and the art of ink painting was considered a meditative practice. Works of Zenga calligraphy and painting tend to be expressive but minimal and often incorporate sayings or quotations associated with Zen Buddhism. In some cases, as in portrayals of Daruma [1972.1], Kanzan [1970.28], and Jittoku [1970.29], Zenga incorporates light-hearted portrayals of famed Zen masters. The gestural brushstrokes reflect Zenga's spirit of spontaneous and personal expression and were meant to promote contemplation for the calligrapher and viewer alike.
Drawn from
- John Stevens, "The Spiritual Dimensions of Zen Art," in Zenga: Brushstrokes of Enlightenment (New Orleans: New Orleans Museum of Art, 1990), 9-18.
- Alice Rae Yelen, "Looking at Zen Art," in Zenga: Brushstrokes of Enlightenment (New Orleans: New Orleans Museum of Art, 1990), 19-42.
- Getty Vocabulary, AAT (Zenga: AAT: 300310625).
NOTES
1972.1 Portrait of Daruma
1972.13 Tiger
Review UMO
ASSOCIATED CONTENT CHUNKS (list applicable note links)
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IMAGE ASSETS
Photograph of the exhibition 'Brushstrokes of Enlightenment: Zen Calligraphy and Painting / Blades of Splendor: Japanese Swords and Warrior Prints from the R. B. Caldwell Collection,' May 24-July 19, 1992, held at the Dallas Museum of Art.
Source: Dallas Museum of Art. 248396915: UMO.
WEB RESOURCES
ARCHIVAL RESOURCES (digitized/non-digitized)
FUN FACTS
TEACHING IDEAS
RULES
set operator as or
apply to objects where number equals 1972.1
apply to objects where number equals 1973.10
apply to objects where number equals 1970.28
apply to objects where number equals 1970.29
apply to objects where number equals 1972.13
apply to objects where number equals 1984.216
apply to objects where number equals 1991.387
apply to content where content contains zenga
Category
rules_operator
OR
General Description
The term Zenga refers generally to the ink paintings and calligraphy of Zen masters of China, Korea, and Japan, although it usually refers to works of Edo-period Japan. Painting and calligraphy were an important medium for the transmission of Zen principles, and the art of ink painting was considered a meditative practice. Works of Zenga calligraphy and painting tend to be expressive but minimal and often incorporate sayings or quotations associated with Zen Buddhism. In some cases, as in portrayals of Daruma [1972.1], Kanzan [1970.28], and Jittoku [1970.29], Zenga incorporates light-hearted portrayals of famed Zen masters. The gestural brushstrokes reflect Zenga's spirit of spontaneous and personal expression and were meant to promote contemplation for the calligrapher and viewer alike.
Drawn from
- John Stevens, "The Spiritual Dimensions of Zen Art," in Zenga: Brushstrokes of Enlightenment (New Orleans: New Orleans Museum of Art, 1990), 9-18.
- Alice Rae Yelen, "Looking at Zen Art," in Zenga: Brushstrokes of Enlightenment (New Orleans: New Orleans Museum of Art, 1990), 19-42.
- Getty Vocabulary, AAT (Zenga: AAT: 300310625).
Fun Facts
Archival Resources
(digitized/non-digitized)
Web Resources
Notes
1972.1 Portrait of Daruma
1972.13 Tiger
Review UMO
rules
Apply To
Objects
number
Equals
1972.1
Apply To
Objects
number
Equals
1973.10
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Objects
number
Equals
1970.28
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Objects
number
Equals
1970.29
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Objects
number
Equals
1972.13
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Objects
number
Equals
1984.216
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Objects
number
Equals
1991.387
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Content
content
Contains
zenga
source file
materials_and_techniques-0127.xml.nores