Wari (Huari)

GENERAL DESCRIPTION
In the history of the central Andes, the Middle Horizon (600–1000 CE) was dominated by two cultures, Tiahuanaco (Tiwanaku) and Huari (Wari). The names of the cultures derive from two imperial cities that flourished in the central and southern highlands—Huari near the modern city of Ayacucho in present-day Peru, and Tiahuanaco on the edge of Lake Titicaca in what is now northwestern Bolivia. Expanding their influence to other highland and coastal regions, they are often called the first Andean empires, since their political and administrative tactics paved the way for later expansive states—those of the Chimú and the Inca (Inka). The Huari culture existed by 600 CE and is closely related in style to Tiahuanaco. The Huari adopted many themes expressed in Tiahuanaco art, but created more abstract, deconstructed images compared to Tiahuanaco's more literal art style. Huari also influenced the Late Nazca (Ica) culture of the southern coast and the site of Pachacamac on the central coast.

The nature of Huari and Tiahuanaco expansion and their cultural interrelation remain points of discussion among archaeologists—their coastal influence, nevertheless, defines the Middle Horizon. Social relations and status in this period were conveyed through clothing, ritual, and feasting. Huari and Tiahuanaco polities promoted feasting with maize beer—chicha in Spanish or aqha in Quechua—utilizing storage jars, serving vessels, and goblet-style cups. The cup form would remain popular throughout the Andes and was later appropriated by the Inca. The Huari standardized the production of male tunics and hats, which suggests the formation of associated status such as military ranking—the Inca would later practice a similar form of textile standardization. While colonial documents provide perspectives on Inca imperialism, the Huari state expansion is approached through architectural and material remains of Huari and Huari-hybrid arts, blended with cultures such as the south coast Nazca and north coast Moche. 

Drawn from
  • DMA unpublished material [2004.55.McD], 2004.
  • Getty Vocabulary, AAT (Huari (Wari): AAT: 300017283).
  • Kimberly L. Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Foundations), 2015.

NOTES
DMA unpublished material: "Acquisition Proposal," in DMA Object File, 2004.55.McD (Tunic with profile heads and stepped frets) (Dallas: Dallas Museum of Art, 2004), 1.

ASSOCIATED CONTENT CHUNKS 

AUDIO ASSETS 
44997961: UMO. Learn about the Wari (Huari) culture.

VIDEO ASSETS  

IMAGE ASSETS 

WEB RESOURCES 
  • Reuters~Read about a Wari burial unearthed in Huaca Pucllana, Peru.
  • National Geographic~See photos from a mass royal tomb recently found in El Castillo de Huarmey, Peru.
  • The Wall Street Journal~An interview with Susan E. Bergh, curator of Pre-Columbian and Native North American Art at the Cleveland Museum of Art.

ARCHIVAL RESOURCES 

FUN FACTS 

TEACHING IDEAS 

RULES
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General Description
In the history of the central Andes, the Middle Horizon (600–1000 CE) was dominated by two cultures, Tiahuanaco (Tiwanaku) and Huari (Wari). The names of the cultures derive from two imperial cities that flourished in the central and southern highlands—Huari near the modern city of Ayacucho in present-day Peru, and Tiahuanaco on the edge of Lake Titicaca in what is now northwestern Bolivia. Expanding their influence to other highland and coastal regions, they are often called the first Andean empires, since their political and administrative tactics paved the way for later expansive states—those of the Chimú and the Inca (Inka). The Huari culture existed by 600 CE and is closely related in style to Tiahuanaco. The Huari adopted many themes expressed in Tiahuanaco art, but created more abstract, deconstructed images compared to Tiahuanaco's more literal art style. Huari also influenced the Late Nazca (Ica) culture of the southern coast and the site of Pachacamac on the central coast.

The nature of Huari and Tiahuanaco expansion and their cultural interrelation remain points of discussion among archaeologists—their coastal influence, nevertheless, defines the Middle Horizon. Social relations and status in this period were conveyed through clothing, ritual, and feasting. Huari and Tiahuanaco polities promoted feasting with maize beer—chicha in Spanish or aqha in Quechua—utilizing storage jars, serving vessels, and goblet-style cups. The cup form would remain popular throughout the Andes and was later appropriated by the Inca. The Huari standardized the production of male tunics and hats, which suggests the formation of associated status such as military ranking—the Inca would later practice a similar form of textile standardization. While colonial documents provide perspectives on Inca imperialism, the Huari state expansion is approached through architectural and material remains of Huari and Huari-hybrid arts, blended with cultures such as the south coast Nazca and north coast Moche. 

Drawn from
  • DMA unpublished material [2004.55.McD], 2004.
  • Getty Vocabulary, AAT (Huari (Wari): AAT: 300017283).
  • Kimberly L. Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Foundations), 2015.

Fun Facts
 
Archival Resources
 
Web Resources
 
  • Reuters~Read about a Wari burial unearthed in Huaca Pucllana, Peru.
  • National Geographic~See photos from a mass royal tomb recently found in El Castillo de Huarmey, Peru.
  • The Wall Street Journal~An interview with Susan E. Bergh, curator of Pre-Columbian and Native North American Art at the Cleveland Museum of Art.

Notes
DMA unpublished material: "Acquisition Proposal," in DMA Object File, 2004.55.McD (Tunic with profile heads and stepped frets) (Dallas: Dallas Museum of Art, 2004), 1.

tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
ceramic (material): AAT: 300235507
Pre-Columbian (American): AAT: 300016619
figures (representations): AAT: 300189808
deities: AAT: 300343850
ceremonial objects: AAT: 300234117
cups (drinking vessels): AAT: 300043202
ceremonies: AAT: 300054754
Andes (mountain system/South America): TGN: 7016589
religions (belief systems/cultures): AAT: 300073708
textiles (visual works): AAT: 300014063
hats (headgear): AAT: 300046106
Peru (nation): TGN: 1000056
bridge spouts: AAT: 300203289
feasts: AAT: 300069097
maize (plant/zea mays species): AAT: 300375398
beer (food / alcoholic beverage): AAT: 300302722
Moche: AAT: 300017287
Wari (Huari): AAT: 300017283
Wari (Huari): TGN: 1024536
Middle Horizon period (Pre-Columbian Andean styles and periods): AAT: 300017300
architecture (discipline): AAT: 300054156
textile art (visual works): AAT: 300386843
military uniforms: AAT: 300248030
Bolivia (nation): TGN: 1000046
Nazca (Nasca): AAT: 300017290
Chimú: AAT: 300017316
Inca horizon: AAT: 300017352
ceramics (object genre): AAT: 300151343
Tiahuanaco (Tiahuanacu/Tiwanaku/Tiwanacu): TGN: 1020440
Tiahuanaco (Tiwanaku/Tiyawanaku): AAT: 300017305
Lake Titicaca (South America): TGN: 1118418
politics: AAT: 300055537
ceremonial structures: AAT: 300263489
government (political concept): AAT: 300055499
governments (administrative bodies): AAT: 300386741
iconography: AAT: 300055859
Quechua: AAT: 300017928
economics: AAT: 300054359
artisans: AAT: 300386205
Inca (Inka): AAT: 300017326
Late Horizon period (Pre-Columbian Andean styles and periods): AAT: 300017332
Chimú (former nation/state/empire): TGN: 8698270
empires (sovereign states): AAT: 300128214
tunics (main garments): AAT: 300209869
standardization: AAT: 300056088
44997961: UMO
source file
cultures_and_traditions-0125.xml.nores