Alighiero Boetti (1940-1994)

GENERAL DESCRIPTION
Alighiero Boetti (also known as Alighiero e Boetti) was born in Turin, Italy in 1940. Along with his Turinese contemporaries Mario Merz and Michaelangelo Pistoletto, Boetti was a participant in arte povera. In the 1960s Boetti began making works in strong dialogue with minimalism and its engagement with industrial materials and systemic thinking and went on to produce a highly poetic art concerned with issues of identity and authorship. A series of so-called paintings in the form of maps of the world embroidered by Afghani women, which he began in 1971, anticipated the multicultural challenge to the tyranny of authorship and ownership that become a central dialogue for a much younger generation of artists in the 1990s.

Adapted from
Allan Schwartzman, "From a Prehistoric Wind," in Fast forward: contemporary collections for the Dallas Museum of Art, eds. María de Corral and John R. Lane (Dallas Museum of Art ; New Haven and London: Yale University Press, 2007), 158-165.

NOTES

ASSOCIATED CONTENT CHUNKS (list applicable note links)

AUDIO ASSETS 

VIDEO ASSETS  

IMAGE ASSETS 

WEB RESOURCES 

ARCHIVAL RESOURCES (digitized/non-digitized)

FUN FACTS 

TEACHING IDEAS 

RULES
set operator as OR
apply to constituents where id equals 98455
apply to objects where constituent_id equals 98455

rules_operator
OR
General Description
Alighiero Boetti (also known as Alighiero e Boetti) was born in Turin, Italy in 1940. Along with his Turinese contemporaries Mario Merz and Michaelangelo Pistoletto, Boetti was a participant in arte povera. In the 1960s Boetti began making works in strong dialogue with minimalism and its engagement with industrial materials and systemic thinking and went on to produce a highly poetic art concerned with issues of identity and authorship. A series of so-called paintings in the form of maps of the world embroidered by Afghani women, which he began in 1971, anticipated the multicultural challenge to the tyranny of authorship and ownership that become a central dialogue for a much younger generation of artists in the 1990s.

Adapted from
Allan Schwartzman, "From a Prehistoric Wind," in Fast forward: contemporary collections for the Dallas Museum of Art, eds. María de Corral and John R. Lane (Dallas Museum of Art ; New Haven and London: Yale University Press, 2007), 158-165.

Fun Facts
 
Archival Resources
(digitized/non-digitized)
Web Resources
 

Notes

rules
Apply To
Constituents
id
Equals
98455
tags
#draft
#completed
@Bilal-Gore
*Contemporary Art
Minimalism (post-1945 style): AAT: 300065758
Arte Povera: AAT: 300047851
Merz_Mario: ULAN: 500089761
Boetti_Alighiero: ULAN: 500053938
Turin: TGN: 7005688
Pistoletto_Michelangelo: ULAN: 500031799
source file
artists_and_designers-0233.xml.nores