GENERAL DESCRIPTION
Alighiero Boetti (also known as Alighiero e Boetti) was born in Turin, Italy in 1940. Along with his Turinese contemporaries Mario Merz and Michaelangelo Pistoletto, Boetti was a participant in arte povera. In the 1960s Boetti began making works in strong dialogue with minimalism and its engagement with industrial materials and systemic thinking and went on to produce a highly poetic art concerned with issues of identity and authorship. A series of so-called paintings in the form of maps of the world embroidered by Afghani women, which he began in 1971, anticipated the multicultural challenge to the tyranny of authorship and ownership that become a central dialogue for a much younger generation of artists in the 1990s.
Adapted from
Allan Schwartzman, "From a Prehistoric Wind," in Fast forward: contemporary collections for the Dallas Museum of Art, eds. María de Corral and John R. Lane (Dallas Museum of Art ; New Haven and London: Yale University Press, 2007), 158-165.
NOTES
ASSOCIATED CONTENT CHUNKS (list applicable note links)
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Archivio Alighiero Boetti~Visit the site of the Alighiero Boetti archive.
- Museum of Modern Art, New York~See an example of the artist's map paintings.
ARCHIVAL RESOURCES (digitized/non-digitized)
FUN FACTS
TEACHING IDEAS
RULES
set operator as OR
apply to constituents where id equals 98455
apply to objects where constituent_id equals 98455
Category
rules_operator
OR
General Description
Alighiero Boetti (also known as Alighiero e Boetti) was born in Turin, Italy in 1940. Along with his Turinese contemporaries Mario Merz and Michaelangelo Pistoletto, Boetti was a participant in arte povera. In the 1960s Boetti began making works in strong dialogue with minimalism and its engagement with industrial materials and systemic thinking and went on to produce a highly poetic art concerned with issues of identity and authorship. A series of so-called paintings in the form of maps of the world embroidered by Afghani women, which he began in 1971, anticipated the multicultural challenge to the tyranny of authorship and ownership that become a central dialogue for a much younger generation of artists in the 1990s.
Adapted from
Allan Schwartzman, "From a Prehistoric Wind," in Fast forward: contemporary collections for the Dallas Museum of Art, eds. María de Corral and John R. Lane (Dallas Museum of Art ; New Haven and London: Yale University Press, 2007), 158-165.
Fun Facts
Archival Resources
(digitized/non-digitized)
Web Resources
- Archivio Alighiero Boetti~Visit the site of the Alighiero Boetti archive.
- Museum of Modern Art, New York~See an example of the artist's map paintings.
Notes
rules
Apply To
Constituents
id
Equals
98455
source file
artists_and_designers-0233.xml.nores