Claes Oldenburg (b. 1929) and Coosje van Bruggen (b. 1942-2009)


GENERAL DESCRIPTION
Husband and wife artists Claes Oldenburg and Coosje van Bruggen, who have long worked as a team, confound expectations by elevating the humdrum experience of contemporary life to the monumental. Best known for their monumental, site-specific sculptures, their work follows the interests of the pop art movement, with wry replications of humble things transformed into enlarged, recognizable, yet nonfunctional everyday objects.

Claes Oldenburg, one of the best-known artists of the pop art movement, began his career in the late 1950s by staging Happenings, hybrid events of theater and art which were humorous, often raucous demonstrations of the absurdity of life. One of his first installations of objects, titled "The Store" — and his first museum Happening— took place in 1962 at the Dallas Museum for Contemporary Arts.

For each site-specific project, the two artists visit the community, searching for a proper symbol of the surroundings. "We look at the architecture, and at the cultural and political environment," Ms. van Bruggen says. "We find projects that fit — or go against — that environment." More than any other sculptors of the 20th century, Oldenburg and van Bruggen have broken down the barrier between high and low art. 

Adapted from
Suzanne Weaver, "Stake Hitch," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 296.

NOTES
This note was reviewed by the curatorial intern for contemporary art in the fall of 2018, but not reviewed by the curator. 

ASSOCIATED CONTENT CHUNKS (list applicable note links)

AUDIO ASSETS 

VIDEO ASSETS  

IMAGE ASSETS 

WEB RESOURCES 

ARCHIVAL RESOURCES (digitized/non-digitized)

FUN FACTS 

TEACHING IDEAS 

RULES
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General Description
Husband and wife artists Claes Oldenburg and Coosje van Bruggen, who have long worked as a team, confound expectations by elevating the humdrum experience of contemporary life to the monumental. Best known for their monumental, site-specific sculptures, their work follows the interests of the pop art movement, with wry replications of humble things transformed into enlarged, recognizable, yet nonfunctional everyday objects.

Claes Oldenburg, one of the best-known artists of the pop art movement, began his career in the late 1950s by staging Happenings, hybrid events of theater and art which were humorous, often raucous demonstrations of the absurdity of life. One of his first installations of objects, titled "The Store" — and his first museum Happening— took place in 1962 at the Dallas Museum for Contemporary Arts.

For each site-specific project, the two artists visit the community, searching for a proper symbol of the surroundings. "We look at the architecture, and at the cultural and political environment," Ms. van Bruggen says. "We find projects that fit — or go against — that environment." More than any other sculptors of the 20th century, Oldenburg and van Bruggen have broken down the barrier between high and low art. 

Adapted from
Suzanne Weaver, "Stake Hitch," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 296.

Fun Facts
 
Archival Resources
(digitized/non-digitized)
Web Resources
 

Notes
This note was reviewed by the curatorial intern for contemporary art in the fall of 2018, but not reviewed by the curator. 

rules
Apply To
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Equals
658
Apply To
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id
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1324
tags
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@Bowling
sculpture: AAT: 300047090
*Contemporary Art
Pop (fine art style): AAT: 300022205
sculptor (artists by medium): AAT: 300025181
site-specific works: AAT: 300193298
Oldenburg_Claes: ULAN: 500029735
happenings (time-based works): AAT: 300047935
Bruggen_Coosje_van: ULAN: 500032593
source file
artists_and_designers-0078.xml.nores