The Impact of Cubism on Art Deco and Streamlined Modern

GENERAL DESCRIPTION
Between 1908 and 1913, Spanish artist Pablo Picasso and French painter Georges Braque developed a new style of painting now known as cubism. Breaking with traditional representations of space and perspective, cubist artists depicted objects from shifting points of view, as if seen from several markedly different angles at once. What resulted were images in which surfaces were fractured into different planes and overall forms were dismembered.
 
In the applied arts, the legacy of cubism took the form of objects featuring faceted shapes and angular patterning. While utilitarian objects could seldom be as abstract as the fine arts, some designs such as those for glassware were daring indeed. But items of this extreme cubist nature proved hard to use and were generally commercial failures. Those that mildly adopted the angles of cubism in the form of sunray lines and triangles proved more popular.
 
Adapted from
Charles Venable, wall text from the 11/18/2001 to 5/20/2002 exhibition Art Deco and Streamlined Modern Design, 1920-1950

NOTES
see this note for possible associations or consolidation:  art deco/art moderne/art nouveau

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apply to content where tag_value equals 300253564
apply to content where tag_value equals 300021426
apply to objects where date_end lte 1939
apply to objects where date_begin gte 1920
Apply to objects where department_id equals 60

 
 
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General Description
Between 1908 and 1913, Spanish artist Pablo Picasso and French painter Georges Braque developed a new style of painting now known as cubism. Breaking with traditional representations of space and perspective, cubist artists depicted objects from shifting points of view, as if seen from several markedly different angles at once. What resulted were images in which surfaces were fractured into different planes and overall forms were dismembered.
 
In the applied arts, the legacy of cubism took the form of objects featuring faceted shapes and angular patterning. While utilitarian objects could seldom be as abstract as the fine arts, some designs such as those for glassware were daring indeed. But items of this extreme cubist nature proved hard to use and were generally commercial failures. Those that mildly adopted the angles of cubism in the form of sunray lines and triangles proved more popular.
 
Adapted from
Charles Venable, wall text from the 11/18/2001 to 5/20/2002 exhibition Art Deco and Streamlined Modern Design, 1920-1950

 
Fun Facts

 
Archival Resources

 
Web Resources

 
Notes
see this note for possible associations or consolidation:  art deco/art moderne/art nouveau

 
rules
Apply To
Content
tag_value
Equals
300253564
Apply To
Content
tag_value
Equals
300021426
Apply To
Objects
department_id
Equals
60
tags
#draft
#completed
%copyedited_Gail
%inadequate rules
glassware: AAT: 300010898
*Decorative Arts and Design
@bartsch-allen
Streamlined Moderne: AAT: 300253564
streamlining: AAT: 300056322
Teague_Walter Dorwin: ULAN: 500020760
Art Deco (style or movement): AAT: 300021426
Picasso_Pablo: ULAN: 500009666
Geddes_Norman Bel: ULAN: 500024541
Cubist: AAT: 300021495
Braque_Georges: ULAN: 500025200
Cliff_Clarice: ULAN: 500091181
Weber_Kem: ULAN: 500112411
Otar_John Nicholas: DMA
Cauman_Rebecca: DMA
source file
time_and_place-0104.xml.nores