GENERAL DESCRIPTION
For paints (as opposed to theater lights), the hues red, yellow, and blue are the primary colors. These building blocks of color are often arranged on a color wheel. From these three colors, with the addition of white or black, it is theoretically possible to mix the full range of colors in the spectrum. Orange, green, and violet are the secondary colors, or those colors that stand mid-way between the primary colors.
NOTES
Excerpt from Ken Kelsey, Gail Davitt, Mary Ann Allday, Barbara Barrett, and Troy Smythe, Contemporary Art and Design at the Dallas Museum of Art, Teaching Packet, 1995.
Tagged with all departments.
This note has been routed and revised. I am removing the routed tag and adding the completed tag. The GDoc has been moved to Queta's folders for review. (EAS, 2/28/2017)
ASSOCIATED CONTENT CHUNKS
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
How to Spin the Colour Wheel (Tate)~Look through this summary of influential color theorists and their impact on modern artists.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
set operator as or
apply to content where content contains primary colors
apply to content where tag_value equals 300056138
apply to objects where label_copy contains primary colors
apply to objects where public_notes contains primary colors
apply to content where content contains secondary colors
apply to content where tag_value equals 300056140
apply to objects where label_copy contains secondary colors
apply to objects where public_notes contains secondary colors
Category
rules_operator
OR
General Description
For paints (as opposed to theater lights), the hues red, yellow, and blue are the primary colors. These building blocks of color are often arranged on a color wheel. From these three colors, with the addition of white or black, it is theoretically possible to mix the full range of colors in the spectrum. Orange, green, and violet are the secondary colors, or those colors that stand mid-way between the primary colors.
Fun Facts
Archival Resources
Web Resources
How to Spin the Colour Wheel (Tate)~Look through this summary of influential color theorists and their impact on modern artists.
Notes
Excerpt from Ken Kelsey, Gail Davitt, Mary Ann Allday, Barbara Barrett, and Troy Smythe, Contemporary Art and Design at the Dallas Museum of Art, Teaching Packet, 1995.
Tagged with all departments.
This note has been routed and revised. I am removing the routed tag and adding the completed tag. The GDoc has been moved to Queta's folders for review. (EAS, 2/28/2017)
rules
Apply To
Content
content
Contains
primary colors
Apply To
Content
tag_value
Equals
300056138
Apply To
Objects
label_copy
Contains
primary colors
Apply To
Objects
public_notes
Contains
primary colors
Apply To
Content
content
Contains
secondary colors
Apply To
Content
tag_value
Equals
300056140
Apply To
Objects
label_copy
Contains
secondary colors
Apply To
Objects
public_notes
Contains
secondary colors
source file
terms-0077.xml.nores