GENERAL DESCRIPTION
Louise Nevelson is best known for her wooden works composed of collected urban debris. Influenced by Marcel Duchamp’s found object sculptures, which incorporated everyday materials such as sinks and bicycle wheels, Nevelson carefully arranged her found materials into compositions that evoke the sense of a shrine. She unified the different objects, such as dowels and spindles, by painting them in her trademark color, black, which transformed the individual tools from practical objects into an invitation to meditation. Although primarily a sculptor, Nevelson shared a similar formal focus with the abstract expressionist painters. Diminishing Reflections VIII (Left & Right) explores line, flatness, and scale through careful attention to the relationship between the unique forms of the left and right containers.
Excerpt from
DMA label copy, 2014.
NOTES
Exhibition: The Museum is History, 2014
Catalogue essays
Artist/designers
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RELATED OBJECTS
PROVENANCE
Until 1964: Louise Nevelson (1899-1988)
1964: Dallas Museum of Fine Arts, purchased from Pace Gallery, New York [1]
Notes:
The main source for this provenance is the object record card in the Collections Records object file (1964.112).
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1984.
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WEB RESOURCES
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Apply to objects where number equals 1964.112.A-B.FA
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General Description
Louise Nevelson is best known for her wooden works composed of collected urban debris. Influenced by Marcel Duchamp’s found object sculptures, which incorporated everyday materials such as sinks and bicycle wheels, Nevelson carefully arranged her found materials into compositions that evoke the sense of a shrine. She unified the different objects, such as dowels and spindles, by painting them in her trademark color, black, which transformed the individual tools from practical objects into an invitation to meditation. Although primarily a sculptor, Nevelson shared a similar formal focus with the abstract expressionist painters. Diminishing Reflections VIII (Left & Right) explores line, flatness, and scale through careful attention to the relationship between the unique forms of the left and right containers.
Excerpt from
DMA label copy, 2014.
Fun Facts
Archival Resources
Web Resources
Notes
Exhibition: The Museum is History, 2014
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1964: Louise Nevelson (1899-1988)
1964: Dallas Museum of Fine Arts, purchased from Pace Gallery, New York [1]
Notes:
The main source for this provenance is the object record card in the Collections Records object file (1964.112).
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1984.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1964.112.A-B.FA
source file
object_notes_4_c-0101.xml.nores