1983.76 Ceremonial cloth (tampan)



GENERAL DESCRIPTION  
A ship is always the most prominent feature appearing on Kalianda tampan. The ship signifies transition and pedigree, and as a conveyance, it is a bringer of wealth and prosperity. On this example, the multiple hooked prows of the ship frame an imposing architectural structure that recalls the forms of communal houses and ancestral shrines. Above these buildings is another construction that most likely represents a ceremonial entryway that was used to honor bridal couples and the recipients of titles. The symbolism of the great ship also reflects a well-developed titular hierarchy that was introduced to Lampung by the Sultans of Bantam as early as the 16th century. The sultans dispensed titles and privileges in exchange for Lampung’s valuable pepper crop, and many of the most aristocratic families trace their ancestral ties to this kingdom.

Adapted from
Steven G. Alpert, "Ceremonial cloth (tampan)," in Eyes of the Ancestors: The Arts of Island Southeast Asia at the Dallas Museum of Art, ed. Reimar Schefold in collaboration with Steven Alpert (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2013), 102-103.

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PROVENANCE 
Until 1983: Steven G., Alpert, Dallas, Texas, purchased in New York

1983: Dallas Museum of Art, purchased from above [1]

Notes:
The main source for this provenance is the Pacific American Corp. document titled "Dallas Museum of Art: The Steven G. Alpert Collection of Indonesian Textiles" in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles. Exceptions and other supporting documents are noted.

[1] See pages 1-4 of the correspondence between Harry S. Parker and Pacific American Corp. dated October 5, 1983, in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles.  

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General Description
 
A ship is always the most prominent feature appearing on Kalianda tampan. The ship signifies transition and pedigree, and as a conveyance, it is a bringer of wealth and prosperity. On this example, the multiple hooked prows of the ship frame an imposing architectural structure that recalls the forms of communal houses and ancestral shrines. Above these buildings is another construction that most likely represents a ceremonial entryway that was used to honor bridal couples and the recipients of titles. The symbolism of the great ship also reflects a well-developed titular hierarchy that was introduced to Lampung by the Sultans of Bantam as early as the 16th century. The sultans dispensed titles and privileges in exchange for Lampung’s valuable pepper crop, and many of the most aristocratic families trace their ancestral ties to this kingdom.

Adapted from
Steven G. Alpert, "Ceremonial cloth (tampan)," in Eyes of the Ancestors: The Arts of Island Southeast Asia at the Dallas Museum of Art, ed. Reimar Schefold in collaboration with Steven Alpert (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2013), 102-103.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1983: Steven G., Alpert, Dallas, Texas, purchased in New York

1983: Dallas Museum of Art, purchased from above [1]

Notes:
The main source for this provenance is the Pacific American Corp. document titled "Dallas Museum of Art: The Steven G. Alpert Collection of Indonesian Textiles" in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles. Exceptions and other supporting documents are noted.

[1] See pages 1-4 of the correspondence between Harry S. Parker and Pacific American Corp. dated October 5, 1983, in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles.  

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Objects
number
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1983.76
tags
#draft
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nobility (nobles / aristocracy): AAT: 300025942
human figures: AAT: 300404114
@Bilal-Gore
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
houses: AAT: 300005433
wealth: AAT: 300055767
social status: AAT: 300065206
buildings (structures): AAT: 300004792
*Arts of the Pacific Islands
shrines (religious / ceremonial structures): AAT: 300007558
weaving: AAT: 300053642
warp: AAT: 300227930
weft: AAT: 300227934
ships: AAT: 300082981
dyeing: AAT: 300053049
dye (colorant): AAT: 300013029
peacocks (birds/animals/pavo genus): AAT: 300250082
elephant (animals/elephantidae family): AAT: 300250160
supplementary-weft (textile components/textile weaving techniques by patterning): DMA
weft patterning (supplementary weft/textile weaving techniques by patterning): AAT: 300228486
Paminggir: DMA
tampan: DMA
Kalianda: TGN: 1077781
Kalianda (inhabited place): TGN: 1077781
titles (name additions): AAT: 300404661
source file
object_notes_4_c-0099.xml.nores