1984.202.36 Goyu: Waitresses Soliciting Travelers


GENERAL DESCRIPTION    
In this scene, waitresses from the inn at right are physically dragging customers from the road. Women were readily available at each station to serve, entertain, or otherwise accommodate the needs of weary travelers. Prostitutes around Yoshida, Goyu, and Akasaka were especially well-known. 

The diminishing treatment of receding forms in this print shows the influence of European engravings, which had infiltrated Japan through the Dutch trading post at Nagasaki. The European technique of linear perspective intrigued several ukiyoe artists, who had traditionally used isometric perspective, in which receding parallels remain parallel on the picture plane.

Adapted from
Anna McFarland, Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, Label text, 1986.

NOTES
TMS Updates-
English title updated as above

Japanese Title: 御油 (旅人留女)

*Image is from Wikimedia Commons; and is in the public domain. DMA image unavailable.

Exhibitions pending: Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, DMA, 1986

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RELATED OBJECTS 
1984.202.1-55

PROVENANCE
By at least 1908-1937: Frank Lloyd Wright [1]

1937-1984: Mr. and Mrs. Stanley Marcus, Dallas [2]

1984: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [3]

[1] The collection was exhibited at The Art Institute of Chicago in 1908. See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[2] See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[3] See copy of Deed of Gift, dated 28 December 1984, in Collections Records object file.

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General Description
   
In this scene, waitresses from the inn at right are physically dragging customers from the road. Women were readily available at each station to serve, entertain, or otherwise accommodate the needs of weary travelers. Prostitutes around Yoshida, Goyu, and Akasaka were especially well-known. 

The diminishing treatment of receding forms in this print shows the influence of European engravings, which had infiltrated Japan through the Dutch trading post at Nagasaki. The European technique of linear perspective intrigued several ukiyoe artists, who had traditionally used isometric perspective, in which receding parallels remain parallel on the picture plane.

Adapted from
Anna McFarland, Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, Label text, 1986.

Fun Facts

Archival Resources

Web Resources
 

Notes
TMS Updates-
English title updated as above

Japanese Title: 御油 (旅人留女)

*Image is from Wikimedia Commons; and is in the public domain. DMA image unavailable.

Exhibitions pending: Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, DMA, 1986

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 
1984.202.1-55

PROVENANCE
By at least 1908-1937: Frank Lloyd Wright [1]

1937-1984: Mr. and Mrs. Stanley Marcus, Dallas [2]

1984: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [3]

[1] The collection was exhibited at The Art Institute of Chicago in 1908. See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[2] See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[3] See copy of Deed of Gift, dated 28 December 1984, in Collections Records object file.

AUDIO ASSETS 

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Objects
number
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1984.202.36
tags
#draft
#completed
women: AAT: 300025943
%Archived
trade (function): AAT: 300061886
@Bilal-Gore
*Arts of Asia
travel: AAT: 300080094
linear perspective (technique): AAT: 300056348
Japan (nation): TGN: 1000120
Dutch: AAT: 300111175
influence: AAT: 300055860
engravings (prints): AAT: 300041340
Edo: AAT: 300106643
Ukiyo-e: AAT: 300106769
travelers: AAT: 300025879
Hiroshige_Andō: ULAN: 500019641
routes: AAT: 300265365
post stations: AAT: 300007827
prostitutes: AAT: 300189023
waitresses: AAT: 300238451
isometric projection (technique): AAT: 300081313
source file
object_notes_4_c-0050.xml.nores