GENERAL DESCRIPTION
An exceptionally refined piece, this tripod may reflect the influence of Assyrian art, with its great man-animal sculptures. This creature has the head and forelegs of a horse, but the forelegs are drawn up so as to suggest they are the arms of the rest of the figure, which is generally human in form, though with animal hocks and tail. The figure is ithyphallic and has a three-ring necklace, two-ring anklets, and a two-ring tail band as ornaments, and it supports a tripod-shaped structure on its head. Cross-hatching defines the figure's hide or skin. The whole figure was presumably part of a set supporting a larger bronze tripod. Although vase and tripod supports in the shape of animals are common, this particular figure is unusual, possibly unique. The work is an exceptionally fine piece of lost-wax casting with cold-worked ornament on the surface.
Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Seattle: University of Washington Press, 1996. 38.
NOTES
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PROVENANCE
Until 1966: Dr. Elie Borowski, Basel, Switzerland [2]
From 1966: Dallas Museum of Fine Arts, Dallas, Texas, purchased from above [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983
[2] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24
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FUN FACTS
In a letter dated August 1, 1966 to then-DMFA director Merrill C. Rueppel from antiquities dealer Elie Borowski, he said of this piece, "I was particularly happy that you reacted enthusiastically to the little proto-Achemenian bronze tripod, which I treasured very highly and kept it hidden in the vaults. It is really a "bijou", and I will be glad to see it again in Dallas on my visit to you the second week of September." [1]
"Bijou" is a French slang word for jewel, or trinket.
[1] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24
TEACHING IDEAS
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Apply to objects where number equals 1966.24
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General Description
An exceptionally refined piece, this tripod may reflect the influence of Assyrian art, with its great man-animal sculptures. This creature has the head and forelegs of a horse, but the forelegs are drawn up so as to suggest they are the arms of the rest of the figure, which is generally human in form, though with animal hocks and tail. The figure is ithyphallic and has a three-ring necklace, two-ring anklets, and a two-ring tail band as ornaments, and it supports a tripod-shaped structure on its head. Cross-hatching defines the figure's hide or skin. The whole figure was presumably part of a set supporting a larger bronze tripod. Although vase and tripod supports in the shape of animals are common, this particular figure is unusual, possibly unique. The work is an exceptionally fine piece of lost-wax casting with cold-worked ornament on the surface.
Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Seattle: University of Washington Press, 1996. 38.
Fun Facts
In a letter dated August 1, 1966 to then-DMFA director Merrill C. Rueppel from antiquities dealer Elie Borowski, he said of this piece, "I was particularly happy that you reacted enthusiastically to the little proto-Achemenian bronze tripod, which I treasured very highly and kept it hidden in the vaults. It is really a "bijou", and I will be glad to see it again in Dallas on my visit to you the second week of September." [1]
"Bijou" is a French slang word for jewel, or trinket.
[1] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1966: Dr. Elie Borowski, Basel, Switzerland [2]
From 1966: Dallas Museum of Fine Arts, Dallas, Texas, purchased from above [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983
[2] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24
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1966.24
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object_notes_4_b-0203.xml.nores