1966.24, Tripod in the form of a man-animal, Iran, Pre-Achaemenid, 7th-6th century BCE, bronze


GENERAL DESCRIPTION  
An exceptionally refined piece, this tripod may reflect the influence of Assyrian art, with its great man-animal sculptures. This creature has the head and forelegs of a horse, but the forelegs are drawn up so as to suggest they are the arms of the rest of the figure, which is generally human in form, though with animal hocks and tail. The figure is ithyphallic and has a three-ring necklace, two-ring anklets, and a two-ring tail band as ornaments, and it supports a tripod-shaped structure on its head. Cross-hatching defines the figure's hide or skin. The whole figure was presumably part of a set supporting a larger bronze tripod. Although vase and tripod supports in the shape of animals are common, this particular figure is unusual, possibly unique. The work is an exceptionally fine piece of lost-wax casting with cold-worked ornament on the surface.

Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Seattle: University of Washington Press, 1996. 38.

NOTES

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PROVENANCE 
Until 1966: Dr. Elie Borowski, Basel, Switzerland [2]

From 1966:  Dallas Museum of Fine Arts, Dallas, Texas, purchased from above [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983
[2] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24

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FUN FACTS
In a letter dated August 1, 1966 to then-DMFA director Merrill C. Rueppel from antiquities dealer Elie Borowski, he said of this piece, "I was particularly happy that you reacted enthusiastically to the little proto-Achemenian bronze tripod, which I treasured very highly and kept it hidden in the vaults. It is really a "bijou", and I will be glad to see it again in Dallas on my visit to you the second week of September." [1] 

"Bijou" is a French slang word for jewel, or trinket.

[1] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24

TEACHING IDEAS

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Apply to objects where number equals 1966.24
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General Description
 
An exceptionally refined piece, this tripod may reflect the influence of Assyrian art, with its great man-animal sculptures. This creature has the head and forelegs of a horse, but the forelegs are drawn up so as to suggest they are the arms of the rest of the figure, which is generally human in form, though with animal hocks and tail. The figure is ithyphallic and has a three-ring necklace, two-ring anklets, and a two-ring tail band as ornaments, and it supports a tripod-shaped structure on its head. Cross-hatching defines the figure's hide or skin. The whole figure was presumably part of a set supporting a larger bronze tripod. Although vase and tripod supports in the shape of animals are common, this particular figure is unusual, possibly unique. The work is an exceptionally fine piece of lost-wax casting with cold-worked ornament on the surface.

Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. Seattle: University of Washington Press, 1996. 38.

Fun Facts
In a letter dated August 1, 1966 to then-DMFA director Merrill C. Rueppel from antiquities dealer Elie Borowski, he said of this piece, "I was particularly happy that you reacted enthusiastically to the little proto-Achemenian bronze tripod, which I treasured very highly and kept it hidden in the vaults. It is really a "bijou", and I will be glad to see it again in Dallas on my visit to you the second week of September." [1] 

"Bijou" is a French slang word for jewel, or trinket.

[1] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1966: Dr. Elie Borowski, Basel, Switzerland [2]

From 1966:  Dallas Museum of Fine Arts, Dallas, Texas, purchased from above [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983
[2] See letter from Elie Borowski to Merrill C. Rueppel dated August 1, 1966 in Collections Records Object file 1966.24

AUDIO ASSETS 

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rules
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Objects
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1966.24
tags
#draft
#completed
animals (Animalia kingdom): AAT: 300249395
%copyedited_Gail
*Classical Art
@Bowling
%Archived
human figures: AAT: 300404114
Lost-wax process: AAT: 300053113
bronze: AAT: 300010957
Anatolian (culture or style): AAT: 300019755
horses (animals): AAT: 300250148
Persia (historical region/Asia): TGN: 7024079
Near Eastern (Early Western World): AAT: 300019571
Iran (nation): TGN: 7000231
Assyrian (style and period): AAT: 300019619
tripods (stands): AAT: 300164679
source file
object_notes_4_b-0203.xml.nores