GENERAL DESCRIPTION
An iconic work of the American Arts and Crafts movement, the Roycrofter’s Ali Baba Bench is composed of a split log seat with intact bark and a framework with canted legs and a horizontal stretcher. Its rusticity lies not only in its simple and rough-hewn construction, but also its namesake; "Ali Baba" was the nickname of longtime Roycroft Shops employee Anson Alonzo Blackman, a figure who exemplified the movement's values of humility and physical labor. The firm's advertisements for the bench touted it “as a good fair sample of what Roycroft furniture is, this Ali Baba Bench speaks for itself. Made like Ali Baba – strong serviceable and with the bark left on, but with a polished top; that’s why we call it the Ali Baba Bench, for it looks so much like him…”
Excerpt from
Samantha Robinson, DMA unpublished material, Label text, 2015.
NOTES
- Samantha changed the title in TMS to add italics and capitalize "bench" due to title in contemporary Roycroft Studios advertisement.
- Samantha updated Provenance, Exhibition History, Bibliography, and Published References in TMS.
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Process/materials
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PROVENANCE
Until 2011: Dr. Edgar G. and Mrs. Dorothy N. McKee, Dallas, Texas
From 2011: Dallas Museum of Art, gift of the above.
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Apply to objects where number equals 2011.31
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General Description
An iconic work of the American Arts and Crafts movement, the Roycrofter’s Ali Baba Bench is composed of a split log seat with intact bark and a framework with canted legs and a horizontal stretcher. Its rusticity lies not only in its simple and rough-hewn construction, but also its namesake; "Ali Baba" was the nickname of longtime Roycroft Shops employee Anson Alonzo Blackman, a figure who exemplified the movement's values of humility and physical labor. The firm's advertisements for the bench touted it “as a good fair sample of what Roycroft furniture is, this Ali Baba Bench speaks for itself. Made like Ali Baba – strong serviceable and with the bark left on, but with a polished top; that’s why we call it the Ali Baba Bench, for it looks so much like him…”
Excerpt from
Samantha Robinson, DMA unpublished material, Label text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Samantha changed the title in TMS to add italics and capitalize "bench" due to title in contemporary Roycroft Studios advertisement.
- Samantha updated Provenance, Exhibition History, Bibliography, and Published References in TMS.
Catalogue essays
Artist/designers
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2011: Dr. Edgar G. and Mrs. Dorothy N. McKee, Dallas, Texas
From 2011: Dallas Museum of Art, gift of the above.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2011.31
source file
object_notes_4_b-0198.xml.nores