GENERAL DESCRIPTION
As one of the most versatile contemporary industrial designers, Danish architect Verner Panton designed a wide range of products, including furniture, lighting, and textiles. Trained in Copenhagen, Panton worked with well-known architect and designer Arne Jacobsen from 1950 to 1952 before establishing his own architectural and design firm in 1955. Originally based in Denmark, then in France, the firm has been located in Binningen, Switzerland since 1963.
Recognized particularly for his chairs, Panton has persistently explored the idea of the single-piece seating unit. Two of his most important contributions in this vein have been his one-piece molded stacking chair of 1960 [1989.74] and this cone chair from 1958. Unlike the plastic chair which is fluid in its outline, the cone chair uses a "solid" geometric shape for its form. Another version of the chair substitutes a steel-wire mesh in place of fabric.
Adapted from
DMA unpublished material.
NOTES
source: curatorial remarks, TMS
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PROVENANCE
Until 1992: Zero to Sixty, Dallas, Texas [1]
From 1992: Dallas Museum of Art, purchased from above, (accessioned December 16, 1992) [2]
[1] See copy of check #1233 in Collections Records Object File (1992.513)
[2] See Acquisition Record in Collections Records Object File (1992.513)
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General Description
As one of the most versatile contemporary industrial designers, Danish architect Verner Panton designed a wide range of products, including furniture, lighting, and textiles. Trained in Copenhagen, Panton worked with well-known architect and designer Arne Jacobsen from 1950 to 1952 before establishing his own architectural and design firm in 1955. Originally based in Denmark, then in France, the firm has been located in Binningen, Switzerland since 1963.
Recognized particularly for his chairs, Panton has persistently explored the idea of the single-piece seating unit. Two of his most important contributions in this vein have been his one-piece molded stacking chair of 1960 [1989.74] and this cone chair from 1958. Unlike the plastic chair which is fluid in its outline, the cone chair uses a "solid" geometric shape for its form. Another version of the chair substitutes a steel-wire mesh in place of fabric.
Adapted from
DMA unpublished material.
Fun Facts
Archival Resources
Web Resources
Notes
source: curatorial remarks, TMS
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1992: Zero to Sixty, Dallas, Texas [1]
From 1992: Dallas Museum of Art, purchased from above, (accessioned December 16, 1992) [2]
[1] See copy of check #1233 in Collections Records Object File (1992.513)
[2] See Acquisition Record in Collections Records Object File (1992.513)
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1992.513
source file
object_notes_4_b-0186.xml.nores