GENERAL DESCRIPTION
This small textile served as a dress for either a young Inca (Inka) female or a figurine. The textile features wide cream and red bands with blue stripes, as well as red, blue, and yellow designs. These colors and zigzag designs with circles were common to elite Inca textiles. A larger dress of near identical composition was recovered from the south-central coast site of Pachacamac. Inca dresses were wrapped around the body and pinned over both shoulders, while mantles were wrapped around the shoulders and pinned together over the chest. Both types were likely worn with the stripes set horizontal to the individual.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
NOTES
- Inka (Inca), Late Horizon, 1400-1540, updated by KJones in TMS on 06/01/14, 12/08/15, and 12/14/15.
- Updated geography and medium in TMS to reflect Inca label -- PerĂº: Andean coast, camelid fiber and cotton.
Catalogue essays
- The Nora and John Wise Collection of Ancient South American Art
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
- Andean Orthography
Artist/designers
Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352
Geography
Inca Empire: TGN: 6002741
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
weaving: AAT: 300053642
warp: AAT: 300227930
weft: AAT: 300227934
Historical periods
Late Horizon Period: AAT: 300017332
Individuals
Subject terms
dresses (garments): AAT: 300046159
female: AAT: 300189557
figurine: AAT: 300047455
miniature (size): AAT: 300121995
red (color): AAT: 300126225
cream (color): AAT: 300266242
blue (color): AAT: 300129361
yellow (color): AAT: 300127794
brown (color): AAT: 300127490
bands (decorative): DMA
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
circles (plane figures): AAT: 300055627
Pachacamac: AAT: 300017302
Pachacamac (deserted settlement): TGN: 7032402
pinning (fastening, assembling): AAT: 300053018
mantles (lliclla / outerwear): AAT: 300212298
horizontality (form and composition concepts): AAT: 300065463
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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Apply to objects where number equals 1976.W.2062
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General Description
This small textile served as a dress for either a young Inca (Inka) female or a figurine. The textile features wide cream and red bands with blue stripes, as well as red, blue, and yellow designs. These colors and zigzag designs with circles were common to elite Inca textiles. A larger dress of near identical composition was recovered from the south-central coast site of Pachacamac. Inca dresses were wrapped around the body and pinned over both shoulders, while mantles were wrapped around the shoulders and pinned together over the chest. Both types were likely worn with the stripes set horizontal to the individual.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Inka (Inca), Late Horizon, 1400-1540, updated by KJones in TMS on 06/01/14, 12/08/15, and 12/14/15.
- Updated geography and medium in TMS to reflect Inca label -- PerĂº: Andean coast, camelid fiber and cotton.
Catalogue essays
- The Nora and John Wise Collection of Ancient South American Art
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
- Andean Orthography
Artist/designers
Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352
Geography
Inca Empire: TGN: 6002741
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
weaving: AAT: 300053642
warp: AAT: 300227930
weft: AAT: 300227934
Historical periods
Late Horizon Period: AAT: 300017332
Individuals
Subject terms
dresses (garments): AAT: 300046159
female: AAT: 300189557
figurine: AAT: 300047455
miniature (size): AAT: 300121995
red (color): AAT: 300126225
cream (color): AAT: 300266242
blue (color): AAT: 300129361
yellow (color): AAT: 300127794
brown (color): AAT: 300127490
bands (decorative): DMA
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
circles (plane figures): AAT: 300055627
Pachacamac: AAT: 300017302
Pachacamac (deserted settlement): TGN: 7032402
pinning (fastening, assembling): AAT: 300053018
mantles (lliclla / outerwear): AAT: 300212298
horizontality (form and composition concepts): AAT: 300065463
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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