1985.r.652.a-b, Dresser, late 16th century



GENERAL DESCRIPTION
As seen in this dresser, the practice of narrowing and recessing the upper section of a two-section cabinet, adopted from 16th-century Italian furniture, results in a less massive, more graceful design. This cupboard’s relief-carved allegorical panels depict the four seasons, with smaller Spring and Summer panels atop larger Autumn and Winter panels. This early 17th-century Mannerist design is broader and more pictorial than that of the late 16th century cupboard with its strapwork panels and large scale, three dimensional figures. Here the male and female half-figures have palmetted heads similar to those in a design for a buffet by Jacques Androuet Ducerceau. Further, his engravings for silver decoration may have inspired the foliated male masks on the lower drawer fronts.

Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 156.

NOTES
Changed provenance to comply with Guidelines and Procedures for Provenance display in TMS
Title
Updated Search dates
Updated Geo Xref to Europe 

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
As seen in this dresser, the practice of narrowing and recessing the upper section of a two-section cabinet, adopted from 16th-century Italian furniture, results in a less massive, more graceful design. This cupboard’s relief-carved allegorical panels depict the four seasons, with smaller Spring and Summer panels atop larger Autumn and Winter panels. This early 17th-century Mannerist design is broader and more pictorial than that of the late 16th century cupboard with its strapwork panels and large scale, three dimensional figures. Here the male and female half-figures have palmetted heads similar to those in a design for a buffet by Jacques Androuet Ducerceau. Further, his engravings for silver decoration may have inspired the foliated male masks on the lower drawer fronts.

Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 156.

Fun Facts

Archival Resources

Web Resources
 

Notes
Changed provenance to comply with Guidelines and Procedures for Provenance display in TMS
Title
Updated Search dates
Updated Geo Xref to Europe 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
furniture: AAT: 300037680
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
Francis I (King of France): ULAN: 500122500
winter (season): AAT: 300133101
flower (motif): AAT: 300375563
bas-relief (sculpture technique): AAT: 300053623
summer (season): AAT: 300133099
walnut (wood): AAT: 300012476
cupboards: AAT: 300039183
dressers (chests of drawers): AAT: 300264538
strapwork: AAT: 300010200
palmette: AAT: 300009995
husk: AAT: 300165223
seasons: AAT: 300133091
spring (season): AAT: 300133097
autumn (season): AAT: 300133093
Du Cerceau_Jacques Androuet (the elder): ULAN: 500008202
source file
object_notes_4_b-0121.xml.nores