GENERAL DESCRIPTION
This chest was purchased by the Reveses in Madrid, where it is believed to have been made. Although its precise origin is uncertain, the sophisticated use of exotic imported woods suggests an Iberian provenance. Following the exploration of Central America by the Spanish in the 1490s and of the east coast of Africa and Brazil by the Portuguese in the first decade of the 16th century, exotic materials like ebony, rosewood, and ivory became increasingly available to Iberian woodworkers. Because of restrictive trading laws, Spanish and Portuguese craftsmen were able to make objects from such luxurious materials before the rest of their continental counterparts. However, because the Habsburg Empire controlled much of the Low Countries as well as Spain and Portugal between the 1580s and 1713, cabinetmakers in centers like Antwerp were soon able to work in these materials. And as trade in colonial raw materials widened, workers throughout Europe eventually had access to exotic woods and animal products.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 52.
NOTES
Changed provenance to comply with Guidelines and Procedures for Provenance display in TMS
Updated Display/Search dates
Updated Geo Xref to Spain
Catalogue essays
Artist/designers
Cultures
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PROVENANCE
Until 1970: Eutiquiano Garcia, S.A. Antiguedades, Madrid, Spain [1]
1970: Emery Reves (1904-1983) purchased from Eutiquiano Garcia, S.A. Antiguedades , Madrid, Spain, December 7, 1970 [1]
1970-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [2]
[1] According to the following document found in the DMA object file: a copy of an invoice from Eutiquiano Garcia, S.A. Antiguedades addressed to Emery Reves (December 7, 1970)
[2] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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General Description
This chest was purchased by the Reveses in Madrid, where it is believed to have been made. Although its precise origin is uncertain, the sophisticated use of exotic imported woods suggests an Iberian provenance. Following the exploration of Central America by the Spanish in the 1490s and of the east coast of Africa and Brazil by the Portuguese in the first decade of the 16th century, exotic materials like ebony, rosewood, and ivory became increasingly available to Iberian woodworkers. Because of restrictive trading laws, Spanish and Portuguese craftsmen were able to make objects from such luxurious materials before the rest of their continental counterparts. However, because the Habsburg Empire controlled much of the Low Countries as well as Spain and Portugal between the 1580s and 1713, cabinetmakers in centers like Antwerp were soon able to work in these materials. And as trade in colonial raw materials widened, workers throughout Europe eventually had access to exotic woods and animal products.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 52.
Fun Facts
Archival Resources
Web Resources
Notes
Changed provenance to comply with Guidelines and Procedures for Provenance display in TMS
Updated Display/Search dates
Updated Geo Xref to Spain
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1970: Eutiquiano Garcia, S.A. Antiguedades, Madrid, Spain [1]
1970: Emery Reves (1904-1983) purchased from Eutiquiano Garcia, S.A. Antiguedades , Madrid, Spain, December 7, 1970 [1]
1970-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [2]
[1] According to the following document found in the DMA object file: a copy of an invoice from Eutiquiano Garcia, S.A. Antiguedades addressed to Emery Reves (December 7, 1970)
[2] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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