GENERAL DESCRIPTION
This elaborate tunic consists of two panels seamed together at the center. The sleeves and collar are finished with supplemental embroidered edges. The stripes are vertical with three decorated bands on either side separated by thin stripes of blue, yellow, green, and red. The decorated bands portray alternating diagonal rows of bird forms and simple heads, possibly feline with pointed ears. The thin blue-and-cream stripes between the colored strips likewise represent interlocked avian and triangular heads, which shift between blue and cream. The interlocked tapestry weave and vertical stripes reflect highland influence.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
NOTES
- Late Intermediate Period-Late Horizon, 1000–1534, updated by KJones in TMS on 02/05/16, 02/08/16, and 03/21/16.
- No culture noted; updated geography in TMS to reflect Inca label -- Peru: central coast?.
Catalogue essays
- The Nora and John Wise Collection of Ancient South American Art
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
Artist/designers
Cultures
Geography
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
cotton (fiber): AAT: 300183670
weaving: AAT: 300053642
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
tapestry (process): AAT: 300061981
interlocked tapestry: AAT: 300228526
selvedge (textile components): AAT: 300227893
four-selvedged (textile components): DMA
Historical periods
Late Horizon Period: AAT: 300017332
Late Intermediate Period: AAT: 300017313
Individuals
Subject terms
tunics (main garments): AAT: 300209869
blue (color): AAT: 300129361
yellow (color): AAT: 300127794
green (color): AAT: 300128438
red (color): AAT: 300126225
cream (color): AAT: 300266242
brown (color): AAT: 300127490
diagonal: AAT: 300010276
birds (animals): AAT: 300266506
birds (motifs): AAT: 300375751
avian (attribute / bird-like): DMA
head: AAT: 300262520
feline: DMA
triangles (polygons): AAT: 300009806
bands (decorative): DMA
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
1976-1983: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]
From 1983: Dallas Museum of Fine Arts, the Nora and John Wise Collection, bequest of John Wise [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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Apply to objects where number equals 1983.W.2229
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AND
General Description
This elaborate tunic consists of two panels seamed together at the center. The sleeves and collar are finished with supplemental embroidered edges. The stripes are vertical with three decorated bands on either side separated by thin stripes of blue, yellow, green, and red. The decorated bands portray alternating diagonal rows of bird forms and simple heads, possibly feline with pointed ears. The thin blue-and-cream stripes between the colored strips likewise represent interlocked avian and triangular heads, which shift between blue and cream. The interlocked tapestry weave and vertical stripes reflect highland influence.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Late Intermediate Period-Late Horizon, 1000–1534, updated by KJones in TMS on 02/05/16, 02/08/16, and 03/21/16.
- No culture noted; updated geography in TMS to reflect Inca label -- Peru: central coast?.
Catalogue essays
- The Nora and John Wise Collection of Ancient South American Art
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
Artist/designers
Cultures
Geography
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
cotton (fiber): AAT: 300183670
weaving: AAT: 300053642
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
tapestry (process): AAT: 300061981
interlocked tapestry: AAT: 300228526
selvedge (textile components): AAT: 300227893
four-selvedged (textile components): DMA
Historical periods
Late Horizon Period: AAT: 300017332
Late Intermediate Period: AAT: 300017313
Individuals
Subject terms
tunics (main garments): AAT: 300209869
blue (color): AAT: 300129361
yellow (color): AAT: 300127794
green (color): AAT: 300128438
red (color): AAT: 300126225
cream (color): AAT: 300266242
brown (color): AAT: 300127490
diagonal: AAT: 300010276
birds (animals): AAT: 300266506
birds (motifs): AAT: 300375751
avian (attribute / bird-like): DMA
head: AAT: 300262520
feline: DMA
triangles (polygons): AAT: 300009806
bands (decorative): DMA
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
1976-1983: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]
From 1983: Dallas Museum of Fine Arts, the Nora and John Wise Collection, bequest of John Wise [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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object_notes_4_b-0094.xml.nores