1974.51 Ceremonial pole (mbis): ancestor figures


GENERAL DESCRIPTION
The Asmat believe that death is never natural; it is always caused by an enemy, directly through warfare or indirectly through sorcery. Death brings an imbalance to society, which only a reciprocal death can correct. Death is the impetus for an important Asmat ritual, the mbis ceremony, which both honors the dead and challenges the living to avenge them. 

The mbis (or bisj) ceremony involves the carving of a memorial pole from a single mangrove tree. Two or more human figures, representing the dead to be avenged, are carved from the trunk; and the main root is carved into a projection. For the ceremony, several poles are installed in front of the men's ceremonial house. In years past, the pole remained standing until a successful headhunt provided the heads of victims that signified the restoration of balance. After a final feast, the poles were discarded.  

Adapted from
DMA Label text.

NOTES
West Papua - Irian Jaya no longer used (made note in TMS)

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RELATED OBJECTS 

PROVENANCE 
1974: Dallas Museum of Fine Arts, purchased from Harry A. Franklin, Los Angeles, California [1]

Notes: The main source for this provenance is the object record card in the Collections Records object file (1974.51). 

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

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WEB RESOURCES 

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FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1974.51








Category
rules_operator
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General Description
The Asmat believe that death is never natural; it is always caused by an enemy, directly through warfare or indirectly through sorcery. Death brings an imbalance to society, which only a reciprocal death can correct. Death is the impetus for an important Asmat ritual, the mbis ceremony, which both honors the dead and challenges the living to avenge them. 

The mbis (or bisj) ceremony involves the carving of a memorial pole from a single mangrove tree. Two or more human figures, representing the dead to be avenged, are carved from the trunk; and the main root is carved into a projection. For the ceremony, several poles are installed in front of the men's ceremonial house. In years past, the pole remained standing until a successful headhunt provided the heads of victims that signified the restoration of balance. After a final feast, the poles were discarded.  

Adapted from
DMA Label text.

Fun Facts

Archival Resources

Web Resources
 

Notes
West Papua - Irian Jaya no longer used (made note in TMS)

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1974: Dallas Museum of Fine Arts, purchased from Harry A. Franklin, Los Angeles, California [1]

Notes: The main source for this provenance is the object record card in the Collections Records object file (1974.51). 

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1974.51
tags
#draft
#completed
%copyedited_Gail
paint (coating): AAT: 300015029
figures (representations): AAT: 300189808
%Archived
ceremonial objects: AAT: 300234117
carving (processes): AAT: 300053149
ritual (events): AAT: 300065284
ceremonies: AAT: 300054754
@Bilal-Gore
wood (plant material): AAT: 300011914
ancestors: AAT: 300255718
fiber: AAT: 300014024
*Arts of the Pacific Islands
poles (wood products): AAT: 300001874
West Papua (Indonesia): TGN: 7594578
Asmat: AAT: 300021903
source file
object_notes_4_b-0026.xml.nores