1997.165.2.A-B Eva Zeisel, Cup and saucer with "Futura" pattern, c. 1928-30


GENERAL DESCRIPTION  
Eva Zeisel worked in potteries in both Budapest and Hamburg before moving to Schramberger Majolika-Fabrik. While at the pottery in Germany's Black Forest region between 1928 and 1930, she introduced surface patterns and shapes that were heavily influenced by contemporary abstract painting and geometric Bauhaus-style architecture. In 1933, a New York trader observer said, "One of the new ranges of Otto Goetz is their Black Forest art pottery which follows modern tendencies in line and colorings... All the pieces are decorated with a modern arrangement of lines and blocks in two tones of brown, blue, and bright yellow on a yellow glaze. There are open-footed bowls, vases, and baskets, and a tea pot modeled along 'architectural' lines." Based on comparison with other objects known to have been designed by Zeisel, comments from Zeisel herself, and period trade catalogues, the Futura pattern decoration of this example is attributed to her. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 444.

NOTES
completed source and added CCs - 9/28 JBA

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RELATED OBJECTS 

PROVENANCE 
Until 1997: Charyl Gayda, E. Petersburg, Pennsylvania [1]

From 1997: Dallas Museum of Art, purchased from the above [1]

[1] View invoice (dated October 27, 1997, copy in Collections Record Object File) and Dallas Museum of Art check (dated November 10, 1997). 

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General Description
 
Eva Zeisel worked in potteries in both Budapest and Hamburg before moving to Schramberger Majolika-Fabrik. While at the pottery in Germany's Black Forest region between 1928 and 1930, she introduced surface patterns and shapes that were heavily influenced by contemporary abstract painting and geometric Bauhaus-style architecture. In 1933, a New York trader observer said, "One of the new ranges of Otto Goetz is their Black Forest art pottery which follows modern tendencies in line and colorings... All the pieces are decorated with a modern arrangement of lines and blocks in two tones of brown, blue, and bright yellow on a yellow glaze. There are open-footed bowls, vases, and baskets, and a tea pot modeled along 'architectural' lines." Based on comparison with other objects known to have been designed by Zeisel, comments from Zeisel herself, and period trade catalogues, the Futura pattern decoration of this example is attributed to her. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 444.

Fun Facts

Archival Resources

Web Resources
 

Notes
completed source and added CCs - 9/28 JBA

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1997: Charyl Gayda, E. Petersburg, Pennsylvania [1]

From 1997: Dallas Museum of Art, purchased from the above [1]

[1] View invoice (dated October 27, 1997, copy in Collections Record Object File) and Dallas Museum of Art check (dated November 10, 1997). 

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
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1997.165.2.A-B
tags
#draft
#completed
%copyedited_Gail
cups (drinking vessels): AAT: 300043202
abstract: AAT: 300108127
United States (nation): TGN: 7012149
*Decorative Arts and Design
abstraction: AAT: 300056508
New York (New York/United States): TGN: 7007567
@Robinson
saucers (plates): AAT: 300195535
earthenware: AAT: 300140803
Zeisel_Eva: ULAN: 500092239
Budapest (Hungary): TGN: 7006280
Bauhaus: AAT: 300021432
Schramberg (Germany): TGN: 7012704
source file
object_notes_4_b-0017.xml.nores