1996.122.A-B Eva Zeisel, “Tomorrow’s Classic” shape covered dish with "Holiday" pattern decoration, designed c. 1952


GENERAL DESCRIPTION  
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shape upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462. 

NOTES
Added in CCs, updated image

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PROVENANCE 
Until 1996: Replacements, Ltd., Greensboro, North Carolina [1] 

From 1996: Dallas Museum of Art, purchased from the above [1] 

[1] See Replacements, Ltd. invoice (dated May, 10 1996, copies in Collections Records Object File) and Dallas Museum of Art check (dated May 28, 1996, copy in Collections Records Object File).

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General Description
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shape upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462. 

Fun Facts

Archival Resources

Web Resources

Notes
Added in CCs, updated image

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1996: Replacements, Ltd., Greensboro, North Carolina [1] 

From 1996: Dallas Museum of Art, purchased from the above [1] 

[1] See Replacements, Ltd. invoice (dated May, 10 1996, copies in Collections Records Object File) and Dallas Museum of Art check (dated May 28, 1996, copy in Collections Records Object File).

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Objects
number
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1996.122.A-B
tags
#draft
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%copyedited_Gail
glazing (coating): AAT: 300053914
United States (nation): TGN: 7012149
*Decorative Arts and Design
decorative arts: AAT: 300054168
New York (New York/United States): TGN: 7007567
casting (process): AAT: 300053104
@Robinson
Mid-Century Modernist: AAT: 300343610
dishes: AAT: 300042991
ceramic glaze: AAT: 300015092
earthenware: AAT: 300140803
glaze: AAT: 300015091
Zeisel_Eva: ULAN: 500092239
Budapest (Hungary): TGN: 7006280
covers (overlying objects): AAT: 300246275
East Liverpool (Ohio/United States): TGN: 2079372
Hall China Company: ULAN: 500333086
decals: AAT: 300207875
source file
object_notes_4_b-0001.xml.nores