GENERAL DESCRIPTION
This tall staff is made from a hard wood and ornamented with brass and iron sheet metal at the cap and along the shaft at even intervals. The metal cap is decorated with an animate sun at the top, as well as a flowering vase and a Latin cross around the sides. These elements reflect the official, and likely ceremonial, role of the staff-bearer in the community and religious festivals. Adopted from official Spanish Colonial examples, such Andean staffs symbolize the authority of certain male individuals within their community.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
NOTES
- Andean, Modern, 20th century, updated by KJones in TMS on 11/29/13, 01/19/16, and 03/14/16.
- Updated geography in TMS to reflect Inca label -- Peru: southern highlands.
Catalogue essays
Artist/designers
Cultures
Quechua: AAT: 300017928
Native Andean: AAT: 300017918
Andes (mountain system) : TGN : 7016589
Geography
Bolivia (nation): TGN: 1000046
Macha (inhabited place): TGN: 1020338
Process/materials
wood: AAT: 300011914
brass (alloy): AAT: 300010946
iron (metal): AAT: 300011002
woodworking: AAT: 300054083
metalwork: AAT: 300015336
metalworking: AAT: 300053946
sheet metal: AAT: 300223016
carving: AAT: 300053149
Historical periods
Modern (style or period): AAT: 300264736
Individuals
Subject terms
staffs (staff weapon components): AAT: 300204653
bands (decorative): DMA
rings (object genres): AAT: 300263678
floral patterns: AAT: 300010135
flower (motif): AAT: 300375563
plant-derived motifs: AAT: 300164599
vases: AAT: 300132254
crosses (motifs): AAT: 300010044
faces (animal or human components): AAT: 300251798
suns (stars): AAT: 300379806
anthropomorphic: AAT: 300010335
geometric patterns: AAT: 300165213
geometric motifs: AAT: 300009764
dots (geometric motif): AAT: 300010145
scrolls (spirals/motifs): AAT: 300010094
male: AAT: 300189559
social status: AAT: 300065206
chieftains: AAT: 300025445
chief: DMA
RELATED OBJECTS
PROVENANCE
Until 1952: Ramiro and Aurora Archer, Veracruz [1], [2]
From 1952: Dallas Museum of Fine Arts, Dallas Art Association Purchase [3], [4], [5]
[1] The main source for this provenance is letter from Aurora Archer to Jerry Bywaters, Director of the Dallas Museum of Fine Arts (dated November 05, 1952, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Jerry Bywaters, Director of the Dallas Museum of Fine Arts, to Aurora Archer (dated November 14, 1952, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[4] The main source for this provenance is Object Information Card (n.d., copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[5] The Dallas Arts Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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General Description
This tall staff is made from a hard wood and ornamented with brass and iron sheet metal at the cap and along the shaft at even intervals. The metal cap is decorated with an animate sun at the top, as well as a flowering vase and a Latin cross around the sides. These elements reflect the official, and likely ceremonial, role of the staff-bearer in the community and religious festivals. Adopted from official Spanish Colonial examples, such Andean staffs symbolize the authority of certain male individuals within their community.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Andean, Modern, 20th century, updated by KJones in TMS on 11/29/13, 01/19/16, and 03/14/16.
- Updated geography in TMS to reflect Inca label -- Peru: southern highlands.
Catalogue essays
Artist/designers
Cultures
Quechua: AAT: 300017928
Native Andean: AAT: 300017918
Andes (mountain system) : TGN : 7016589
Geography
Bolivia (nation): TGN: 1000046
Macha (inhabited place): TGN: 1020338
Process/materials
wood: AAT: 300011914
brass (alloy): AAT: 300010946
iron (metal): AAT: 300011002
woodworking: AAT: 300054083
metalwork: AAT: 300015336
metalworking: AAT: 300053946
sheet metal: AAT: 300223016
carving: AAT: 300053149
Historical periods
Modern (style or period): AAT: 300264736
Individuals
Subject terms
staffs (staff weapon components): AAT: 300204653
bands (decorative): DMA
rings (object genres): AAT: 300263678
floral patterns: AAT: 300010135
flower (motif): AAT: 300375563
plant-derived motifs: AAT: 300164599
vases: AAT: 300132254
crosses (motifs): AAT: 300010044
faces (animal or human components): AAT: 300251798
suns (stars): AAT: 300379806
anthropomorphic: AAT: 300010335
geometric patterns: AAT: 300165213
geometric motifs: AAT: 300009764
dots (geometric motif): AAT: 300010145
scrolls (spirals/motifs): AAT: 300010094
male: AAT: 300189559
social status: AAT: 300065206
chieftains: AAT: 300025445
chief: DMA
RELATED OBJECTS
PROVENANCE
Until 1952: Ramiro and Aurora Archer, Veracruz [1], [2]
From 1952: Dallas Museum of Fine Arts, Dallas Art Association Purchase [3], [4], [5]
[1] The main source for this provenance is letter from Aurora Archer to Jerry Bywaters, Director of the Dallas Museum of Fine Arts (dated November 05, 1952, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Jerry Bywaters, Director of the Dallas Museum of Fine Arts, to Aurora Archer (dated November 14, 1952, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[4] The main source for this provenance is Object Information Card (n.d., copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[5] The Dallas Arts Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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1952.43.22
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