1999.30.A-B Russel Wright, "Casual China” cup and saucer, c. 1946


GENERAL DESCRIPTION  
When Casual China was introduced, its original distributor, Garrison Products of New York (1946-48), advertised the line as a "Revolution in China." The ware's tough, thick walled body was suitable for the oven and icebox and was guaranteed against breakage for one year after purchase. Its elegant, streamlined shapes were designed to stack compactly for ease of storage. Casual China was available in Cantaloupe, Sugar White, Lemon Yellow and eleven other colors. 

The highly successful line was on the market into the 1960s, with various pieces redesigned periodically and a majority overhauled in 1951. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 465. 

NOTES
updated TMS - JBA 10/11/17
added more tags - JBA 10/9/17
added CCs - JBA 9/28

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1999: Eason Eige, Albuquerque, New Mexico [1]

From 1999: Dallas Museum of Art, Dallas, Texas [1]

[1] See Dallas Museum of Art Deed of Gift (dated January 9, 1999, copy in Collections Records Object File).

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1999.30.A-B

Category
rules_operator
AND
General Description
 
When Casual China was introduced, its original distributor, Garrison Products of New York (1946-48), advertised the line as a "Revolution in China." The ware's tough, thick walled body was suitable for the oven and icebox and was guaranteed against breakage for one year after purchase. Its elegant, streamlined shapes were designed to stack compactly for ease of storage. Casual China was available in Cantaloupe, Sugar White, Lemon Yellow and eleven other colors. 

The highly successful line was on the market into the 1960s, with various pieces redesigned periodically and a majority overhauled in 1951. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 465. 

Fun Facts

Archival Resources

Web Resources
 
Notes
updated TMS - JBA 10/11/17
added more tags - JBA 10/9/17
added CCs - JBA 9/28

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1999: Eason Eige, Albuquerque, New Mexico [1]

From 1999: Dallas Museum of Art, Dallas, Texas [1]

[1] See Dallas Museum of Art Deed of Gift (dated January 9, 1999, copy in Collections Records Object File).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1999.30.A-B
tags
#draft
#completed
%copyedited_Gail
glazing (coating): AAT: 300053914
%Archived
cups (drinking vessels): AAT: 300043202
United States (nation): TGN: 7012149
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
New York (New York/United States): TGN: 7007567
@Robinson
Mid-Century Modernist: AAT: 300343610
saucers (plates): AAT: 300195535
Wright_Russel: ULAN: 500001139
Lebanon (Ohio/United States): TGN: 2080325
ceramic glaze: AAT: 300015092
earthenware: AAT: 300140803
Syracuse (New York/United States): TGN: 7014561
Iroquois China Company: ULAN: 500335347
source file
object_notes_4_a-0413.xml.nores