GENERAL DESCRIPTION
Alfred Walter achieved the complex design on this glass bowl by means of the broncit technique, developed at the Fachschule für Glasindustrie in Steinschönau, Bohemia, in 1910. The complex process results in a design of metallic black or brown bronzite, a form of enamel, on glass etched to a matte finish. Wiener Werkstätte designers, such as Josef Hoffmann and Ludwig Heinrich Jungnickel, were among the first to experiment with the technique, an ideal vehicle for the stark black-on-white aesthetic they favored. Stylized flora and fauna, most notably peacocks—identified by prominent crests and patterned tail feathers—dominate this bowl’s bronzite scheme accented with gold. It thus reflects the development of modern style from Hoffmann’s rigid linearity and geometry to Carl Otto Czeschka’s ornamental vocabulary reminiscent of Central European folk traditions as well as the Art Nouveau and Jugendstil movements.
Excerpt from
Samantha Robinson, “Modern Opulence in Vienna: The Wittgenstein Vitrine” label text, 2014.
NOTES
TMS Update - GeoXref - place of origin - JBA 10/16/2017
added CCs, corrected rules - JBA 9/28
I uploaded the "Modern Opulence in Vienna: The Wittgenstein Vitrine" label copy to TMS as a new Text Entry.
I updated Provenance, Exhibition History, Bibliography, and Published References in TMS.
I updated the constituent record for Alfred Walter to include Nationality. Alfred Walter's place of birth was Steinshönau, Bohemia, Austria (Kamenický Senov, the Czech Republic) according to Museo Nacional de Artes Decorativas (Madrid, Spain), which holds another example of the bowl.
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PROVENANCE
Until 2008: James Infante, Jersey City, New Jersey
From 2008: Dallas Museum of Art, purchased from the above
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General Description
Alfred Walter achieved the complex design on this glass bowl by means of the broncit technique, developed at the Fachschule für Glasindustrie in Steinschönau, Bohemia, in 1910. The complex process results in a design of metallic black or brown bronzite, a form of enamel, on glass etched to a matte finish. Wiener Werkstätte designers, such as Josef Hoffmann and Ludwig Heinrich Jungnickel, were among the first to experiment with the technique, an ideal vehicle for the stark black-on-white aesthetic they favored. Stylized flora and fauna, most notably peacocks—identified by prominent crests and patterned tail feathers—dominate this bowl’s bronzite scheme accented with gold. It thus reflects the development of modern style from Hoffmann’s rigid linearity and geometry to Carl Otto Czeschka’s ornamental vocabulary reminiscent of Central European folk traditions as well as the Art Nouveau and Jugendstil movements.
Excerpt from
Samantha Robinson, “Modern Opulence in Vienna: The Wittgenstein Vitrine” label text, 2014.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Update - GeoXref - place of origin - JBA 10/16/2017
added CCs, corrected rules - JBA 9/28
I uploaded the "Modern Opulence in Vienna: The Wittgenstein Vitrine" label copy to TMS as a new Text Entry.
I updated Provenance, Exhibition History, Bibliography, and Published References in TMS.
I updated the constituent record for Alfred Walter to include Nationality. Alfred Walter's place of birth was Steinshönau, Bohemia, Austria (Kamenický Senov, the Czech Republic) according to Museo Nacional de Artes Decorativas (Madrid, Spain), which holds another example of the bowl.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: James Infante, Jersey City, New Jersey
From 2008: Dallas Museum of Art, purchased from the above
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2008.17
source file
object_notes_4_a-0408.xml.nores