GENERAL DESCRIPTION
During the late 1930s, Russel Wright combined the notion of mix-and-match solid colors with innovative, organic shapes that foreshadowed post-World War II design. In 1937, Wright and his wife, Mary, designed American Modern, a line that included early examples of coupe plates and hollowware pieces with biomorphic forms. In fact, the Wrights' creation was so radical that two years elapsed before a pottery agreed to produce it. In 1939, the then-bankrupt Steubenville Pottery Company began production of the line in four colors developed by students of Donald Schreckengost at Alfred University--Chartreuse Curry, Granite Grey, Seafoam Green, and Bean Brown--and eventually offered seven additional colors.
American Modern was one of the best-selling tableware lines of all time. In production between 1939 and 1959, it grossed an estimated $150 million and prompted Steubenville Pottery Company to expand twice to maintain pace with demand.
Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 349, 425.
NOTES
TMS Update - text entry - JBA 10/16/2017
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PROVENANCE
Until 1989: Mrs. Roger W. Peterson, Richardson, Texas [1]
From 1989: Dallas Museum of Art, gift of the above [1]
[1] See Dallas Museum of Art Deed of Gift (dated November 18, 1989, copy in Collections Records Object File)
AUDIO ASSETS
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WEB RESOURCES
Khan Academy~ Read an essay on Russel Wright’s American Modern dinnerware line.
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Apply to objects where number equals 1989.122
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General Description
During the late 1930s, Russel Wright combined the notion of mix-and-match solid colors with innovative, organic shapes that foreshadowed post-World War II design. In 1937, Wright and his wife, Mary, designed American Modern, a line that included early examples of coupe plates and hollowware pieces with biomorphic forms. In fact, the Wrights' creation was so radical that two years elapsed before a pottery agreed to produce it. In 1939, the then-bankrupt Steubenville Pottery Company began production of the line in four colors developed by students of Donald Schreckengost at Alfred University--Chartreuse Curry, Granite Grey, Seafoam Green, and Bean Brown--and eventually offered seven additional colors.
American Modern was one of the best-selling tableware lines of all time. In production between 1939 and 1959, it grossed an estimated $150 million and prompted Steubenville Pottery Company to expand twice to maintain pace with demand.
Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 349, 425.
Fun Facts
Archival Resources
Web Resources
Khan Academy~ Read an essay on Russel Wright’s American Modern dinnerware line.
Notes
TMS Update - text entry - JBA 10/16/2017
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1989: Mrs. Roger W. Peterson, Richardson, Texas [1]
From 1989: Dallas Museum of Art, gift of the above [1]
[1] See Dallas Museum of Art Deed of Gift (dated November 18, 1989, copy in Collections Records Object File)
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1989.122
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object_notes_4_a-0404.xml.nores