1989.122 Russel Wright, "American Modern” platter


GENERAL DESCRIPTION  
During the late 1930s, Russel Wright combined the notion of mix-and-match solid colors with innovative, organic shapes that foreshadowed post-World War II design. In 1937, Wright and his wife, Mary, designed American Modern, a line that included early examples of coupe plates and hollowware pieces with biomorphic forms. In fact, the Wrights' creation was so radical that two years elapsed before a pottery agreed to produce it. In 1939, the then-bankrupt Steubenville Pottery Company began production of the line in four colors developed by students of Donald Schreckengost at Alfred University--Chartreuse Curry, Granite Grey, Seafoam Green, and Bean Brown--and eventually offered seven additional colors. 

American Modern was one of the best-selling tableware lines of all time. In production between 1939 and 1959, it grossed an estimated $150 million and prompted Steubenville Pottery Company to expand twice to maintain pace with demand. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 349, 425. 

NOTES
TMS Update - text entry - JBA 10/16/2017

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PROVENANCE 
Until 1989: Mrs. Roger W. Peterson, Richardson, Texas [1]

From 1989: Dallas Museum of Art, gift of the above [1]

[1] See Dallas Museum of Art Deed of Gift (dated November 18, 1989, copy in Collections Records Object File) 

AUDIO ASSETS 

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WEB RESOURCES 
Khan Academy~ Read an essay on Russel Wright’s American Modern dinnerware line. 

ARCHIVAL RESOURCES

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General Description
 
During the late 1930s, Russel Wright combined the notion of mix-and-match solid colors with innovative, organic shapes that foreshadowed post-World War II design. In 1937, Wright and his wife, Mary, designed American Modern, a line that included early examples of coupe plates and hollowware pieces with biomorphic forms. In fact, the Wrights' creation was so radical that two years elapsed before a pottery agreed to produce it. In 1939, the then-bankrupt Steubenville Pottery Company began production of the line in four colors developed by students of Donald Schreckengost at Alfred University--Chartreuse Curry, Granite Grey, Seafoam Green, and Bean Brown--and eventually offered seven additional colors. 

American Modern was one of the best-selling tableware lines of all time. In production between 1939 and 1959, it grossed an estimated $150 million and prompted Steubenville Pottery Company to expand twice to maintain pace with demand. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 349, 425. 

Fun Facts

Archival Resources

Web Resources
 
Khan Academy~ Read an essay on Russel Wright’s American Modern dinnerware line. 

Notes
TMS Update - text entry - JBA 10/16/2017

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1989: Mrs. Roger W. Peterson, Richardson, Texas [1]

From 1989: Dallas Museum of Art, gift of the above [1]

[1] See Dallas Museum of Art Deed of Gift (dated November 18, 1989, copy in Collections Records Object File) 

AUDIO ASSETS 

VIDEO ASSETS

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1989.122
tags
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%copyedited_Gail
glazing (coating): AAT: 300053914
United States (nation): TGN: 7012149
*Decorative Arts and Design
decorative arts: AAT: 300054168
Streamlined Moderne: AAT: 300253564
streamlining: AAT: 300056322
New York (New York/United States): TGN: 7007567
@Robinson
Mid-Century Modernist: AAT: 300343610
Wright_Russel: ULAN: 500001139
Lebanon (Ohio/United States): TGN: 2080325
ceramic glaze: AAT: 300015092
earthenware: AAT: 300140803
platters: AAT: 300043053
Steubenville Pottery Company: ULAN: 500333028
Steubenville (Ohio/United States): TGN: 2082033
source file
object_notes_4_a-0404.xml.nores