1999.62 Diviner's headdress


GENERAL DESCRIPTION  
Both male and female diviners among the Tabwa peoples of the Democratic Republic of the Congo wear beaded headdresses with feathers projecting from the top and sides. The colorful bead-embroidered pattern of opposing isosceles triangles draws attention to the diviner's head, which, according to the Tabwa and many other African peoples, is the site of an individual's intelligence, creativity, wisdom, and clairvoyance. The central triangle motif is called "the eye of Kibawa," a  spirit who controls the domain of the head. The juxtaposed triangles on either side are said to represent his wives. During the divination ritual, these spirits possess the diviner and empower him or her to heal the client.

Excerpt from
Roslyn A. Walker, African Headwear: Beyond Fashion (Dallas, TX: Dallas Museum of Art, 2011).

NOTES
Exhibition - African Headwear: Beyond Fashion

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private collection [1]

1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

Notes:
The main source for this provenance is the Acquisition Proposal in the Collections Records object file (1999.62). Exceptions and other supporting documents are noted.

[1] "Crowning Achievements: African Arts of Dressing the Head," (Los Angeles: Fowler Museum of Cultural History, UCLA, 1995): 103.

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Apply to objects where number equals 1999.62

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General Description
 
Both male and female diviners among the Tabwa peoples of the Democratic Republic of the Congo wear beaded headdresses with feathers projecting from the top and sides. The colorful bead-embroidered pattern of opposing isosceles triangles draws attention to the diviner's head, which, according to the Tabwa and many other African peoples, is the site of an individual's intelligence, creativity, wisdom, and clairvoyance. The central triangle motif is called "the eye of Kibawa," a  spirit who controls the domain of the head. The juxtaposed triangles on either side are said to represent his wives. During the divination ritual, these spirits possess the diviner and empower him or her to heal the client.

Excerpt from
Roslyn A. Walker, African Headwear: Beyond Fashion (Dallas, TX: Dallas Museum of Art, 2011).

Fun Facts

Archival Resources

Web Resources
 

Notes
Exhibition - African Headwear: Beyond Fashion

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private collection [1]

1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

Notes:
The main source for this provenance is the Acquisition Proposal in the Collections Records object file (1999.62). Exceptions and other supporting documents are noted.

[1] "Crowning Achievements: African Arts of Dressing the Head," (Los Angeles: Fowler Museum of Cultural History, UCLA, 1995): 103.

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1999.62
tags
#draft
#completed
%copyedited_Gail
female: AAT: 300189557
%Archived
heads (representations): AAT: 300262520
ritual (events): AAT: 300065284
male: AAT: 300189559
headdresses: AAT: 300046023
@Bilal-Gore
yellow (color): AAT: 300127794
blue (color): AAT: 300129361
#routed
*Arts of Africa
red (color): AAT: 300126225
Nigeria (nation): TGN: 1000182
triangles (polygons): AAT: 300009806
feather (material): AAT: 300011809
beads (pierced objects): AAT: 300234006
fiber: AAT: 300014024
Democratic Republic of the Congo (nation): TGN: 1000159
divination: AAT: 300207879
diviners: AAT: 300207878
leather: AAT: 300011845
source file
object_notes_4_a-0343.xml.nores