GENERAL DESCRIPTION
A diviner (babalawo) used this divination tray (opon Ifa) with the tapper (iroke Ifa, 1978.40) to facilitate communication with Orunmila, a deity through whom the Creator God speaks; however it is Eshu, the divine messenger who can cause uncertainty and misfortune in the world, who is portrayed on the tray. In three of the four cardinal points, his head is rendered with small hornlike forms to symbolize his generative powers. In the fourth, he is shown wearing a distinctive long-tail hairstyle and brandishing a club. In addition to images of Eshu, the artist carved a complex program of symbolic scenes that refer to Yoruba royalty, ritual, and traditional life.
Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Bal Denes Collection, Evanston, Illinois
2005: Dallas Museum of Art, purchased from above through Crown Art (Deborah Stokes), Chicago, Illinois
The main source for this provenance is the invoice dated September 14, 2005, in the Collections Records object file (2005.84).
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2005.84
Category
rules_operator
AND
General Description
A diviner (babalawo) used this divination tray (opon Ifa) with the tapper (iroke Ifa, 1978.40) to facilitate communication with Orunmila, a deity through whom the Creator God speaks; however it is Eshu, the divine messenger who can cause uncertainty and misfortune in the world, who is portrayed on the tray. In three of the four cardinal points, his head is rendered with small hornlike forms to symbolize his generative powers. In the fourth, he is shown wearing a distinctive long-tail hairstyle and brandishing a club. In addition to images of Eshu, the artist carved a complex program of symbolic scenes that refer to Yoruba royalty, ritual, and traditional life.
Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Bal Denes Collection, Evanston, Illinois
2005: Dallas Museum of Art, purchased from above through Crown Art (Deborah Stokes), Chicago, Illinois
The main source for this provenance is the invoice dated September 14, 2005, in the Collections Records object file (2005.84).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2005.84
source file
object_notes_4_a-0338.xml.nores