1969.S.196 Standing female figure (_biteki_)


GENERAL DESCRIPTION  
Posed in a flex-kneed position, this biteki is distinguished by a roughly diamond-shaped head from which the nose and mouth project at a sharp angle. The prominent collarlike shoulders blend into the arms bent at the elbow. The hands are joined at chest level. 

Suku figure carvings were used as receptacles or supports for magical preparations that can cause or cure illness and protect the owner and his home. The herbal preparations were made for a specific purpose and packed into holes in the figure or placed in bags that were either attached to or hung from the figure. This figure exemplifies one method of "charging" the sculpture with magical preparations. The encrusted surface of its face and neck suggests the figure was anointed with sacrificial materials.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES

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PROVENANCE 
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1969.S.196

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General Description
 
Posed in a flex-kneed position, this biteki is distinguished by a roughly diamond-shaped head from which the nose and mouth project at a sharp angle. The prominent collarlike shoulders blend into the arms bent at the elbow. The hands are joined at chest level. 

Suku figure carvings were used as receptacles or supports for magical preparations that can cause or cure illness and protect the owner and his home. The herbal preparations were made for a specific purpose and packed into holes in the figure or placed in bags that were either attached to or hung from the figure. This figure exemplifies one method of "charging" the sculpture with magical preparations. The encrusted surface of its face and neck suggests the figure was anointed with sacrificial materials.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1969.S.196
tags
#draft
#completed
%copyedited_Gail
female: AAT: 300189557
standing: AAT: 300239500
%Archived
heads (representations): AAT: 300262520
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
hands (animal or human components): AAT: 300310193
mouths (animal or human components): DMA
protection: AAT: 300164923
Democratic Republic of the Congo (nation): TGN: 1000159
noses (animal or human components): DMA
Suku: AAT: 300016270
source file
object_notes_4_a-0330.xml.nores