27.2010.30 Portrait mask of a woman (ndoma)


GENERAL DESCRIPTION  
Ndoma means "double." Masks like this one portray prominent members of the village, who—although idealized with a composed facial expression and respectful downcast eyes—can be recognized by their facial features, hairstyles, and scarifications. They are usually commissioned by a man to honor a female relative or to be presented by a carver in homage to a beautiful and talented female dancer.

Portrait masks are adorned with beautiful cloths and fine scarfs. The dancers wearing them carry cow-tail fly whisks. Concealed in a cloth enclosure, masks are not seen by the public until their time to make a dramatic appearance. 

Non-religous ndoma appear at mblo and gbagba entertainment dances, which present humorous skits with a moral lesson on such occasions as the new year, the arrival of important visitors, national holidays, and funerals of prominent visitors. 

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES
This object is on-view. Though a loan, I've completed the note in anticipation of further decisions being made of the display of such objects on the online collection.

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 27.2010.3





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General Description
 
Ndoma means "double." Masks like this one portray prominent members of the village, who—although idealized with a composed facial expression and respectful downcast eyes—can be recognized by their facial features, hairstyles, and scarifications. They are usually commissioned by a man to honor a female relative or to be presented by a carver in homage to a beautiful and talented female dancer.

Portrait masks are adorned with beautiful cloths and fine scarfs. The dancers wearing them carry cow-tail fly whisks. Concealed in a cloth enclosure, masks are not seen by the public until their time to make a dramatic appearance. 

Non-religous ndoma appear at mblo and gbagba entertainment dances, which present humorous skits with a moral lesson on such occasions as the new year, the arrival of important visitors, national holidays, and funerals of prominent visitors. 

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes
This object is on-view. Though a loan, I've completed the note in anticipation of further decisions being made of the display of such objects on the online collection.

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
27.2010.3
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
paint (coating): AAT: 300015029
hairstyles: AAT: 300262903
masks (costume): AAT: 300138758
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
dance (discipline): AAT: 300054144
portrait: AAT: 300015637
metal: AAT: 300010900
dancer: AAT: 300025653
scarifications (visual works): AAT: 300262452
Côte d'Ivoire (nation): TGN: 1000168
Baule (culture): AAT: 300016009
entertainment events: AAT: 300069451
source file
object_notes_4_a-0311.xml.nores