1999.63 Torque


GENERAL DESCRIPTION  
Heavy castings like this one were used as currency in West Africa prior to the introduction of coinage. Also worn by women in certain ritual dances, torques are considered "stored wealth" because they are composed of the metal from numerous manillas (open bracelets that serves as another form of pre-coinage currency). Individuals took their amassed manillas to blacksmiths to be melted down and recast into the much larger torques. Manillas, which were introduced by foreign merchants, circulated in West Africa from the 15th to the early 20th century. Royal brasscasters in the Benin kingdom in present-day Nigeria melted down manillas obtained from the Portuguese and recast them as plaques.

The ideal form is said to be a near perfect circle with the two pointed finials meeting, as displayed in this torque.

Adapted from
Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 278-279.

NOTES
geo needed in TMS

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PROVENANCE 
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.63).

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Apply to objects where number equals 1999.63

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General Description
 
Heavy castings like this one were used as currency in West Africa prior to the introduction of coinage. Also worn by women in certain ritual dances, torques are considered "stored wealth" because they are composed of the metal from numerous manillas (open bracelets that serves as another form of pre-coinage currency). Individuals took their amassed manillas to blacksmiths to be melted down and recast into the much larger torques. Manillas, which were introduced by foreign merchants, circulated in West Africa from the 15th to the early 20th century. Royal brasscasters in the Benin kingdom in present-day Nigeria melted down manillas obtained from the Portuguese and recast them as plaques.

The ideal form is said to be a near perfect circle with the two pointed finials meeting, as displayed in this torque.

Adapted from
Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 278-279.

Fun Facts

Archival Resources

Web Resources
 

Notes
geo needed in TMS

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.63).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1999.63
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#draft
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@Bilal-Gore
*Arts of Africa
money: AAT: 300037316
Nigeria (nation): TGN: 1000182
Yoruba: AAT: 300016031
wealth: AAT: 300055767
circles (plane figures): AAT: 300055627
bronze: AAT: 300010957
casting (process): AAT: 300053104
metal: AAT: 300010900
finials: AAT: 300002280
manillas: AAT: 300262176
torques (necklaces): AAT: 300263462
source file
object_notes_4_a-0305.xml.nores