GENERAL DESCRIPTION
Heavy castings like this one were used as currency in West Africa prior to the introduction of coinage. Also worn by women in certain ritual dances, torques are considered "stored wealth" because they are composed of the metal from numerous manillas (open bracelets that serves as another form of pre-coinage currency). Individuals took their amassed manillas to blacksmiths to be melted down and recast into the much larger torques. Manillas, which were introduced by foreign merchants, circulated in West Africa from the 15th to the early 20th century. Royal brasscasters in the Benin kingdom in present-day Nigeria melted down manillas obtained from the Portuguese and recast them as plaques.
The ideal form is said to be a near perfect circle with the two pointed finials meeting, as displayed in this torque.
Adapted from
Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 278-279.
NOTES
geo needed in TMS
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PROVENANCE
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas
The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.63).
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General Description
Heavy castings like this one were used as currency in West Africa prior to the introduction of coinage. Also worn by women in certain ritual dances, torques are considered "stored wealth" because they are composed of the metal from numerous manillas (open bracelets that serves as another form of pre-coinage currency). Individuals took their amassed manillas to blacksmiths to be melted down and recast into the much larger torques. Manillas, which were introduced by foreign merchants, circulated in West Africa from the 15th to the early 20th century. Royal brasscasters in the Benin kingdom in present-day Nigeria melted down manillas obtained from the Portuguese and recast them as plaques.
The ideal form is said to be a near perfect circle with the two pointed finials meeting, as displayed in this torque.
Adapted from
Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 278-279.
Fun Facts
Archival Resources
Web Resources
Notes
geo needed in TMS
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas
The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.63).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1999.63
source file
object_notes_4_a-0305.xml.nores