1974.Sc.49 Four-faced half figure (Sakimatwematwe)


GENERAL DESCRIPTION  
Sakimatwematwe, or “many heads” figures, visualize a Lega saying: “Many-Heads who has seen an elephant on the other side of the river.” This saying can be interpreted to mean that high-level members of Bwami—the governing association of the decentralized Lega—see in many directions and are wise and fair-minded.

This figure’s neck rests on a stool with legs bending outward at an angle. Its owner would have kept the stool sanded and oiled to maintain a smooth and shiny appearance. The spaces between the legs of the stool mean that every man has the potential to achieve success in Bwami, while the shiny surface refers to Bwami bringing light (knowledge) to people.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES
Exhibition - Black Art: Ancestral Legacies, DMA, 1989

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PROVENANCE 
By 1958: Withofs Collection, Brussels [1]

By 1966: Schindler Collection, New York [2]

1974: Dallas Museum of Fine Arts, The Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation in honor of Eugene McDermott [3]

[1] Art in the Congo. Translated from the French and edited by Josef Kadijk. Antwerp: Brussels Universal Exhibition, 1958, ill. 33.

[2] Exhibited at Museum of Primitive Art in the exhibition "Masks and Sculptures from the Collection of Gustave and Franyo Schindler," 1966: cat. no.73.

[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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General Description
 
Sakimatwematwe, or “many heads” figures, visualize a Lega saying: “Many-Heads who has seen an elephant on the other side of the river.” This saying can be interpreted to mean that high-level members of Bwami—the governing association of the decentralized Lega—see in many directions and are wise and fair-minded.

This figure’s neck rests on a stool with legs bending outward at an angle. Its owner would have kept the stool sanded and oiled to maintain a smooth and shiny appearance. The spaces between the legs of the stool mean that every man has the potential to achieve success in Bwami, while the shiny surface refers to Bwami bringing light (knowledge) to people.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes
Exhibition - Black Art: Ancestral Legacies, DMA, 1989

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
By 1958: Withofs Collection, Brussels [1]

By 1966: Schindler Collection, New York [2]

1974: Dallas Museum of Fine Arts, The Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation in honor of Eugene McDermott [3]

[1] Art in the Congo. Translated from the French and edited by Josef Kadijk. Antwerp: Brussels Universal Exhibition, 1958, ill. 33.

[2] Exhibited at Museum of Primitive Art in the exhibition "Masks and Sculptures from the Collection of Gustave and Franyo Schindler," 1966: cat. no.73.

[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

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1974.Sc.49
tags
#draft
#completed
%copyedited_Gail
%Archived
faces (animal or human components): AAT: 300251798
.TeachingIdeas
heads (representations): AAT: 300262520
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
shiny (shine): AAT: 300065244
Democratic Republic of the Congo (nation): TGN: 1000159
symbols of office or status: AAT: 300212147
wisdom: AAT: 300380150
knowledge: AAT: 300055192
elephant (animals/elephantidae family): AAT: 300250160
%exhibitions pending
stools (seating furniture): AAT: 300038418
Lega: AAT: 300016404
governing bodies: AAT: 300252609
kaolin: AAT: 300010445
oiling: AAT: 300374933
source file
object_notes_4_a-0271.xml.nores