GENERAL DESCRIPTION
This dynamic copper and brass work is amongst the largest and most sophisticated examples of émigré metalsmith John Nicholas Otar’s modern boxes. A whirling spiral of stacked and fixed triangular plates — with a brass plate alternating with every six copper ones — the box suggests movement through its wildly undulating profile. A circular lid with a conical finial caps the weighty container; most of Otar’s boxes are scaled to hold cigarettes (one of the purposes cited in his 1933 patent of stacked plate designs), but this example is far too tall for such a purpose and may have been for cigars or some other specific use. Due to the “flexible” construction technique, no two boxes need share the same silhouette.
A native of Russia, Otar moved to the United States and settled in Santa Cruz, California, in the early 1920s and shortly thereafter established his metal shop on Pacific Avenue. Contemporary publications noted Otar’s studio produced iron, copper, and brass lamps; door-knockers; fire screens; chandeliers; sconces; hinges; brackets; and other items for both residential and commercial clients. Although relatively few of these early works have been identified, it appears most were executed in the popular taste for Spanish colonial revival metalwork. Known to locals as “Otar the Lampmaker” for his hammered copper lamp frames, he remained active in Santa Cruz until his death in 1939.
Adapted from
- Kevin W. Tucker, DMA unpublished material, 2008 and 2009.
NOTES
TMS Updates
updated place of origin
updated place of birth and death
updated provenance
Catalogue essays
Artist/designers
Otar_John Nicholas: DMA
Cultures
Geography
Santa Cruz (California) TGN: 7014479
Process/materials
copper (metal): AAT: 300011020
brass (alloy): AAT: 300010946
Historical periods
Streamlined Moderne: 300212738
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
About 1933: Studios of John Nicholas Otar, Santa Cruz, California
Until 2009: Mood Indigo Gallery, New York, New York [1]
From 2009: Dallas Museum of Art, purchased from Mood Indigo Gallery, New York, New York [1]
[1] According to the following documents found in the collections object file: Mood Indigo Gallery Invoice (dated November 15, 2008) DMA Acquisition Consideration Form (dated November 17, 2008), DMA Object receipt (dated December 4, 2008), DMA Acquisition Proposal by Kevin W. Tucker (dated February 10, 2009), DMA Committee on Collections agenda (dated February 18, 2009), DMA Purchase Order (dated March 12, 2009), DMA Check #13755 (dated March 20, 2009)
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VIDEO ASSETS
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WEB RESOURCES
PBS American Experience~Read more about Industrial Designers and Streamliners
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General Description
This dynamic copper and brass work is amongst the largest and most sophisticated examples of émigré metalsmith John Nicholas Otar’s modern boxes. A whirling spiral of stacked and fixed triangular plates — with a brass plate alternating with every six copper ones — the box suggests movement through its wildly undulating profile. A circular lid with a conical finial caps the weighty container; most of Otar’s boxes are scaled to hold cigarettes (one of the purposes cited in his 1933 patent of stacked plate designs), but this example is far too tall for such a purpose and may have been for cigars or some other specific use. Due to the “flexible” construction technique, no two boxes need share the same silhouette.
A native of Russia, Otar moved to the United States and settled in Santa Cruz, California, in the early 1920s and shortly thereafter established his metal shop on Pacific Avenue. Contemporary publications noted Otar’s studio produced iron, copper, and brass lamps; door-knockers; fire screens; chandeliers; sconces; hinges; brackets; and other items for both residential and commercial clients. Although relatively few of these early works have been identified, it appears most were executed in the popular taste for Spanish colonial revival metalwork. Known to locals as “Otar the Lampmaker” for his hammered copper lamp frames, he remained active in Santa Cruz until his death in 1939.
Adapted from
- Kevin W. Tucker, DMA unpublished material, 2008 and 2009.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
updated place of origin
updated place of birth and death
updated provenance
Catalogue essays
Artist/designers
Otar_John Nicholas: DMA
Cultures
Geography
Santa Cruz (California) TGN: 7014479
Process/materials
copper (metal): AAT: 300011020
brass (alloy): AAT: 300010946
Historical periods
Streamlined Moderne: 300212738
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
About 1933: Studios of John Nicholas Otar, Santa Cruz, California
Until 2009: Mood Indigo Gallery, New York, New York [1]
From 2009: Dallas Museum of Art, purchased from Mood Indigo Gallery, New York, New York [1]
[1] According to the following documents found in the collections object file: Mood Indigo Gallery Invoice (dated November 15, 2008) DMA Acquisition Consideration Form (dated November 17, 2008), DMA Object receipt (dated December 4, 2008), DMA Acquisition Proposal by Kevin W. Tucker (dated February 10, 2009), DMA Committee on Collections agenda (dated February 18, 2009), DMA Purchase Order (dated March 12, 2009), DMA Check #13755 (dated March 20, 2009)
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