1969.S.22 Kneeling female figure with bowl and child


GENERAL DESCRIPTION  
This memorial figure represents an important woman whose name has since been lost. She wears an upswept hairstyle or royal headdress, has filed teeth, and wears no fewer than five bracelets on her left arm, all indications of an extraordinary, spiritually imbued woman, perhaps a great healer and protector of children.  The white kaolin covering her body is an important ingredient in ritual medicines and symbolizes the spirit world; it refers to purity and moral correctness.

Kneeling, she leans forward in an attitude of respect while balancing a male child on her foot. She supports the back of the child with her left hand while her right one rest on top of a pot of spiritually charged medicine that can cure illness or resolve social conflict. When chiefs take office,  they are anointed with white or yellow clay called kaolin, which is kept in a pot.  These pots recall the original pot of kaolin sent from the capital of the kingdom of Kongo to anoint the traditional chiefs of the earth.  Therefore, in addition to its cosmic significance, this figure honors and remembers an important woman through whom a great lineage or clan can claim the right to rule and to bury their dead in the land.
 
Memorial figures provided a means of contact between descendants and their ancestors. When in need of extraordinary spiritual assistance, individuals or families sought aid from their ancestors. Figures like this one were paired with a sculpture of a distinguished male ancestor and enshrined in three-sided houses built above the graves in the cemetery. Yombe cemeteries were located near the entrance to the village.


Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, Label text, Arts of Africa, 2006.
  • Ramona Austin, "Female Shrine Figure (bitumba) with ritual pot and child" in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 155.

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PROVENANCE 
n.d.: Walschot collection, Brussels

n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1969.S.22


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General Description
 
This memorial figure represents an important woman whose name has since been lost. She wears an upswept hairstyle or royal headdress, has filed teeth, and wears no fewer than five bracelets on her left arm, all indications of an extraordinary, spiritually imbued woman, perhaps a great healer and protector of children.  The white kaolin covering her body is an important ingredient in ritual medicines and symbolizes the spirit world; it refers to purity and moral correctness.

Kneeling, she leans forward in an attitude of respect while balancing a male child on her foot. She supports the back of the child with her left hand while her right one rest on top of a pot of spiritually charged medicine that can cure illness or resolve social conflict. When chiefs take office,  they are anointed with white or yellow clay called kaolin, which is kept in a pot.  These pots recall the original pot of kaolin sent from the capital of the kingdom of Kongo to anoint the traditional chiefs of the earth.  Therefore, in addition to its cosmic significance, this figure honors and remembers an important woman through whom a great lineage or clan can claim the right to rule and to bury their dead in the land.
 
Memorial figures provided a means of contact between descendants and their ancestors. When in need of extraordinary spiritual assistance, individuals or families sought aid from their ancestors. Figures like this one were paired with a sculpture of a distinguished male ancestor and enshrined in three-sided houses built above the graves in the cemetery. Yombe cemeteries were located near the entrance to the village.


Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, Label text, Arts of Africa, 2006.
  • Ramona Austin, "Female Shrine Figure (bitumba) with ritual pot and child" in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 155.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Walschot collection, Brussels

n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1969.S.22
tags
#draft
#completed
%copyedited_Gail
female: AAT: 300189557
hairstyles: AAT: 300262903
%Archived
headdresses: AAT: 300046023
bracelets (jewelry): AAT: 300045991
human figures: AAT: 300404114
@Bilal-Gore
glass (material): AAT: 300010797
wood (plant material): AAT: 300011914
*Arts of Africa
children (people by age group): AAT: 300025945
bowls (vessels): AAT: 300203596
symbol: AAT: 300055878
ancestor veneration: AAT: 300400471
pigment: AAT: 300013109
spirit: AAT: 300379007
Democratic Republic of the Congo (nation): TGN: 1000159
Yombe: AAT: 300016240
kneeling: AAT: 300265356
cemeteries: AAT: 300266755
mica (mineral): AAT: 300011124
Angola (nation): TGN: 1000149
kaolin: AAT: 300010445
source file
object_notes_4_a-0246.xml.nores