GENERAL DESCRIPTION
African women in traditional societies enhanced their natural beauty with scarification and cosmetic preparations. For example, they applied black kohl to their eyes, painted their faces and bodies with a reddish powder or paste, and moisturized their skin with shea butter. These and other cosmetic substances required containers for mixing and storage. Natural objects such as gourds and shells were available to all, but those who could afford to stored their containers in pots, boxes, and bowls artfully carved by sculptors.
Kuba sculptors carved boxes in a variety of shapes and decorated them with incised and low-relief motifs that had specific names that were probably symbolic. The boxes, which are entirely covered with these geometric and figurative motifs, were used to store cosmetics (square and half-moon boxes) and grooming implements (rectangular boxes). The lid of this half-moon-shaped box is decorated with a stylized face carved in relief. It was used to store twool (or tool), a reddish powder made from the inner bark of a hardwood tree that, depending on the liquid binder, was used like rouge or as dye for raffia fibers.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 236-237.
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n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York
1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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Apply to objects where number equals 1969.S.70.A-B
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General Description
African women in traditional societies enhanced their natural beauty with scarification and cosmetic preparations. For example, they applied black kohl to their eyes, painted their faces and bodies with a reddish powder or paste, and moisturized their skin with shea butter. These and other cosmetic substances required containers for mixing and storage. Natural objects such as gourds and shells were available to all, but those who could afford to stored their containers in pots, boxes, and bowls artfully carved by sculptors.
Kuba sculptors carved boxes in a variety of shapes and decorated them with incised and low-relief motifs that had specific names that were probably symbolic. The boxes, which are entirely covered with these geometric and figurative motifs, were used to store cosmetics (square and half-moon boxes) and grooming implements (rectangular boxes). The lid of this half-moon-shaped box is decorated with a stylized face carved in relief. It was used to store twool (or tool), a reddish powder made from the inner bark of a hardwood tree that, depending on the liquid binder, was used like rouge or as dye for raffia fibers.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 236-237.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York
1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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1969.S.70.A-B
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object_notes_4_a-0241.xml.nores