1999.57 Seated male figure (ntadi)


GENERAL DESCRIPTION  
Mintadi (sing. ntadi) funerary figures were carved in soft gray steatite (soapstone) as well as wood and placed on graves or in memorial houses in Mboma cemeteries, where survivors could consult them. This ntadi portrays a chief. He wears the insignia of office—a knotted pineapple fiber headdress (mpu) crowned with leopard claws—and is further distinguished by a hairstyle that encircles the ears. The figure is posed in a parallel-legs position (fumani) with one arm leaning on his knee and supporting his head while the other hand rests on his hip. This gesture, called kiyadi, expresses sadness as well as caring and competence and is the position in which Mboma chiefs were buried.

Adapted from
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 210-211.
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES
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PROVENANCE 
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.57).

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Apply to objects where number equals 1999.57

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General Description
 
Mintadi (sing. ntadi) funerary figures were carved in soft gray steatite (soapstone) as well as wood and placed on graves or in memorial houses in Mboma cemeteries, where survivors could consult them. This ntadi portrays a chief. He wears the insignia of office—a knotted pineapple fiber headdress (mpu) crowned with leopard claws—and is further distinguished by a hairstyle that encircles the ears. The figure is posed in a parallel-legs position (fumani) with one arm leaning on his knee and supporting his head while the other hand rests on his hip. This gesture, called kiyadi, expresses sadness as well as caring and competence and is the position in which Mboma chiefs were buried.

Adapted from
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 210-211.
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes
geo TMS

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.57).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1999.57
tags
#draft
#completed
%copyedited_Gail
hairstyles: AAT: 300262903
%Archived
sitting (seated): AAT: 300263970
carving (processes): AAT: 300053149
male: AAT: 300189559
headdresses: AAT: 300046023
human figures: AAT: 300404114
@Bilal-Gore
*Arts of Africa
Democratic Republic of the Congo (nation): TGN: 1000159
funerary sculpture: AAT: 300184644
Angola (nation): TGN: 1000149
Mboma: DMA
steatite: AAT: 300011665
source file
object_notes_4_a-0227.xml.nores