1974.SC.41 Standing male ancestor figure (_singiti_)


GENERAL DESCRIPTION  
The Hemba peoples memorialized distinguished ancestors (e.g. chiefs, warriors, and heads of lineages) in sculpted wooden figures (sing. singiti; pl. lusingiti) that served as vessels for their spirits. A visual genealogical record, the figures were cared for by a designated member of the lineage, who arranged them in the order in which they lived. The caretaker periodically honored the singiti with animal sacrifices; in return, the ancestors protected their descendants.

While sculpted lusingiti are idealized images, each represents a specific Hemba ancestor whose spirit is contained therein. They are portrayed as bearded males standing erect on a circular base with shoulders square, arms held close to the body, and hands resting on either side of a protruding abdomen with a herniated navel. With eyes closed, the ancestor figure displays a serene expression. The crossed lobes of the cruciform hairstyle, which are arranged over a square of woven raffia, evoke the four cardinal directions of the universe as well as the crossroads where the realm of the living and dead intersect.

This singiti is adorned with a necklace of expensive imported blue glass beads, which, like cowrie shells, were a form of currency before the introduction of coins and paper money. He was originally clothed in a woven raffia wrapper that was draped over the strip of leather that remains.

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 212-213.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Schindler Collection, New York

1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 
Max Hartmann, Standing male ancestor figure,  44997612: UMO

VIDEO ASSETS
R. Walker, Standing male ancestor figure (singiti), 12937182: UMO

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1974.Sc.41

Category
rules_operator
AND
General Description
 
The Hemba peoples memorialized distinguished ancestors (e.g. chiefs, warriors, and heads of lineages) in sculpted wooden figures (sing. singiti; pl. lusingiti) that served as vessels for their spirits. A visual genealogical record, the figures were cared for by a designated member of the lineage, who arranged them in the order in which they lived. The caretaker periodically honored the singiti with animal sacrifices; in return, the ancestors protected their descendants.

While sculpted lusingiti are idealized images, each represents a specific Hemba ancestor whose spirit is contained therein. They are portrayed as bearded males standing erect on a circular base with shoulders square, arms held close to the body, and hands resting on either side of a protruding abdomen with a herniated navel. With eyes closed, the ancestor figure displays a serene expression. The crossed lobes of the cruciform hairstyle, which are arranged over a square of woven raffia, evoke the four cardinal directions of the universe as well as the crossroads where the realm of the living and dead intersect.

This singiti is adorned with a necklace of expensive imported blue glass beads, which, like cowrie shells, were a form of currency before the introduction of coins and paper money. He was originally clothed in a woven raffia wrapper that was draped over the strip of leather that remains.

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 212-213.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Schindler Collection, New York

1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 
Max Hartmann, Standing male ancestor figure,  44997612: UMO

VIDEO ASSETS
R. Walker, Standing male ancestor figure (singiti), 12937182: UMO

rules
Apply To
Objects
number
Equals
1974.Sc.41
tags
#draft
#completed
%copyedited_Gail
necklaces: AAT: 300046001
hairstyles: AAT: 300262903
standing: AAT: 300239500
%Archived
vessels (containers): AAT: 300193015
human figures: AAT: 300404114
@Bilal-Gore
glass (material): AAT: 300010797
blue (color): AAT: 300129361
*Arts of Africa
beards: AAT: 300379263
ancestors: AAT: 300255718
ancestor veneration: AAT: 300400471
protection: AAT: 300164923
beads (pierced objects): AAT: 300234006
spirit: AAT: 300379007
Democratic Republic of the Congo (nation): TGN: 1000159
Hemba: AAT: 300016360
source file
object_notes_4_a-0226.xml.nores