1996.143.3, American Prestige liqueur glass, 1938, Designer: Edwin W. Fuerst, Maker: Libbey Glass Company, glass with cut and pressed decoration copy


GENERAL DESCRIPTION  
In its catalogue Libbey claimed that through this glass, "The designer tells a story of craftsmanship-a bubble of glass becomes the bowl, a block of crystal the stem, while two small terraced rings in the foot indicate the rolling motion of a footsetter's tool." This florid description of hand-crafted fine glass deliberately counters the more practical reputation Libbey Glass had established by the time the American Prestige line of Edwin W. Fuerst's Modern American series was designed in 1938.

In 1936, Libbey Glass became a subsidiary of Owens-Illinois Glass Company, a container company spun off of Libbey years earlier during their era of glass processing inventions. Because of the progressive new management, Libbey survived and even profited during the depression years. Bolstered by the high volume of promotional tumbler sales, Libbey set out to regain its top position as the maker of America's finest glass despite the fact that the market for prestige glassware was relatively small. The effort to revive Libbey's reputation as a maker of fine glass involved hiring Edwin W. Fuerst to design a line called Modern American, for which catalogues were issued in 1940 and 1942. A strong movement away from the colorful and ornate style of the 1920s and early 1930s, Modern American mimicked the style of the Scandinavian imports: sleek monumental foms that emphasized the quality of the lead crystal, as seen here.

Although a 'pre-introductory' Modern American Glassware catalog was printed in 1939, the new series was formally introduced the following year in the Crystal Room of New York's Gotham Hotel. In a few months, some 300 leading stores were featuring the line with great success. The initial triumph was short-lived, however, for slightly more than a year later World War II restrictions ended the series. Libbey advertisements announced that its craftsmen had turned their skills to making glass essential to the war effort. Like several other glass companies, Libbey survived WWII by halting tableware production and instead manufacturing light bulbs. After the war, management was faced with the necessity of building an entirely new factory to replace its original 1888 plant, and ultimately decided against reinstating the line of fine crystal. This decision meant that the Modern American series was the last handmade glass ever made by Libbey, America's oldest glassmaker.

Drawn from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 171, 436-37, cat. 73.
  • Libbey Glass...Since 1818, Chapter IV, Depression Year Failures Bring Reunion of Libbey and Owens Companies, 1918-1943, 96-99, http://www.libbeyhistory.com/files/Part_1.4.pdf, accessed March 30, 2017.

NOTES
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1996: Replacements, Ltd., Greensboro, NC [1]

From 1996: Dallas Museum of Art, purchased from the above

[1] See Object receipt in Collections Records Object File (1996.143.1-3)

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1996.143.3

Category
rules_operator
AND
General Description
 
In its catalogue Libbey claimed that through this glass, "The designer tells a story of craftsmanship-a bubble of glass becomes the bowl, a block of crystal the stem, while two small terraced rings in the foot indicate the rolling motion of a footsetter's tool." This florid description of hand-crafted fine glass deliberately counters the more practical reputation Libbey Glass had established by the time the American Prestige line of Edwin W. Fuerst's Modern American series was designed in 1938.

In 1936, Libbey Glass became a subsidiary of Owens-Illinois Glass Company, a container company spun off of Libbey years earlier during their era of glass processing inventions. Because of the progressive new management, Libbey survived and even profited during the depression years. Bolstered by the high volume of promotional tumbler sales, Libbey set out to regain its top position as the maker of America's finest glass despite the fact that the market for prestige glassware was relatively small. The effort to revive Libbey's reputation as a maker of fine glass involved hiring Edwin W. Fuerst to design a line called Modern American, for which catalogues were issued in 1940 and 1942. A strong movement away from the colorful and ornate style of the 1920s and early 1930s, Modern American mimicked the style of the Scandinavian imports: sleek monumental foms that emphasized the quality of the lead crystal, as seen here.

Although a 'pre-introductory' Modern American Glassware catalog was printed in 1939, the new series was formally introduced the following year in the Crystal Room of New York's Gotham Hotel. In a few months, some 300 leading stores were featuring the line with great success. The initial triumph was short-lived, however, for slightly more than a year later World War II restrictions ended the series. Libbey advertisements announced that its craftsmen had turned their skills to making glass essential to the war effort. Like several other glass companies, Libbey survived WWII by halting tableware production and instead manufacturing light bulbs. After the war, management was faced with the necessity of building an entirely new factory to replace its original 1888 plant, and ultimately decided against reinstating the line of fine crystal. This decision meant that the Modern American series was the last handmade glass ever made by Libbey, America's oldest glassmaker.

Drawn from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 171, 436-37, cat. 73.
  • Libbey Glass...Since 1818, Chapter IV, Depression Year Failures Bring Reunion of Libbey and Owens Companies, 1918-1943, 96-99, http://www.libbeyhistory.com/files/Part_1.4.pdf, accessed March 30, 2017.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1996: Replacements, Ltd., Greensboro, NC [1]

From 1996: Dallas Museum of Art, purchased from the above

[1] See Object receipt in Collections Records Object File (1996.143.1-3)

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1996.143.3
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
glass (material): AAT: 300010797
*Decorative Arts and Design
drinking: AAT: 300379698
Art Deco (style or movement): AAT: 300021426
Libbey Glass Company: ULAN: 500333043
Toledo (Ohio/United States): TGN: 7014378
Fuerst_Edwin W. : ULAN: 500336602
liqueur glasses: AAT: 300386589
source file
object_notes_4_a-0186.xml.nores