1996.213.A-E, Herter Brothers, Vanderbilt Console, c.1881-1882


GENERAL DESCRIPTION  
Commissioned for the ground floor atrium of the William H. Vanderbilt residence at 640 Fifth Avenue in New York City, this console is one of the finest aesthetic creations of the Herter Brothers, the most popular and prestigious American design firm of the last quarter of the nineteenth century. One of a pair (the whereabouts of the other now unknown), the Vanderbilt console was designed as an integral part of the interior architecture, employing decorative elements that echoed similar motifs throughout the house.

When installed in the atrium in 1882, the console related aesthetically to the decor of every room adjoining that space. The massive slab top was made of the same rosso antico marble used to fabricate the great central fireplace and clad the eight square pillars framing the atrium. The central cupboard section, with its grill of wrought-iron scrollwork and silver stylized chrysanthemums, reflected the Oriental design of the adjoining "Japanese Parlour" as well as the stair rail leading upwards from the atrium. Below the grill, large carved oak swags ending in silvered loop pulls on the face of a drawer could also be found incorporated into the architectural frieze of the atrium and adorning other furniture there and in the library. Finally, the legs at each end of the console with their carved masques and representations of human feet clad in sandals relayed the overall "Greek Renaissance" design of the interior as well as the specific Egyptian and Grecian elements of the drawing room just off the atrium. Such a combination of decorative iconography, rich materials, and mammoth scale conveyed to any visitor the power and wealth of the owner, Mr. Vanderbilt.

William H. Vanderbilt (1821-1885) inherited a fortune of $90,000,000 in 1877 from his father, "The Commodore" Cornelius Vanderbilt, founder of the family's empire of steamships and railroads. In 1879-80, he began construction on the house at 640 Fifth Avenue which was to be not only the costliest but largest house on "Vanderbilt Row," the section of Fifth Avenue that stretched from Fifty-first Street to Central Park. It was reported to have cost almost $2,000,000 to construct and employed over six hundred workmen. Although Mr. Vanderbilt lived to see his palace completed in 1882, he died only a few years later in the library in 1885. The house and contents then passed to his heirs and was leased to Henry Clay Frick for ten years before he built his own house further up the Avenue. By 1915 when Cornelius Vanderbilt III and his wife Grace moved in, the stylish Herter Brothers interiors were hopelessly out of date. They decided to embark on a complete redecoration, and it was at this point that the home was completely gutted and the earlier furnishings dispersed. Very few of the original pieces are known to have survived, and most of these are now in museum collections, including the Metropolitan Museum of Art, New York; Museum of Fine Arts, Houston; and the High Museum of Art, Atlanta. Ultimately, the house was razed in 1946 -- by then a crumbling relic of its glorious past.

Adapted from
  • DMA unpublished material, 2004.
  • Stephen Harrison, "Vanderbilt console," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 237.

NOTES
  • changed provenance to comply with Guidelines and Procedures for Provenance display
  • DMA unpublished material = Curatorial notes, revised February 2004

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1881-d.1885: Collection of William H. Vanderbilt (1821-1885), New York, New York

After 1885: Vanderbilt family, thence by descent from the above  

1984-1985: unidentified antiques shop specializing in oak, purchased from an estate auction that had been one of the Vanderbilt homes [2]

1985-1995: unidentified owner, Bay Area [2], purchased from above

Until 1995: Margot Johnson, Inc., New York, New York, purchased at auction, Butterfield & Butterfield Fine Art Auctioneers and Appraisers, June 7 & 8, 1995, San Francisco, CA [2]

From 1996: Dallas Museum of Art, purchased from above [1]

[1] See copy of check 6067 in Collections Records Object File (1996.213.A-E)
[2] See 1995 article from Maine Antique Digest, paper form in Collections Records Object File (1996.213.A-E)

AUDIO ASSETS 
13312164: UMO. Listen to "Scarlett Doesn't Live Here Anymore: Rethinking the Great Houses of Charleston, South Carolina," a lecture by J. Thomas Savage, Jr., Curator and Director of the Museum Division of Historic Charleston Foundation, celebrating th DMA Collection acquisition of the Herter Brothers, Vanderbilt Console, 1996.213.A-E

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • InCollect.com~Read "Artistic Furniture Of The Gilded Age: Herter Brothers And The William H. Vanderbilt House."
  • MET~See a the Vanderbilt residence, 640 Fifth Avenue, New York.

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1996.213.A-E

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General Description
 
Commissioned for the ground floor atrium of the William H. Vanderbilt residence at 640 Fifth Avenue in New York City, this console is one of the finest aesthetic creations of the Herter Brothers, the most popular and prestigious American design firm of the last quarter of the nineteenth century. One of a pair (the whereabouts of the other now unknown), the Vanderbilt console was designed as an integral part of the interior architecture, employing decorative elements that echoed similar motifs throughout the house.

When installed in the atrium in 1882, the console related aesthetically to the decor of every room adjoining that space. The massive slab top was made of the same rosso antico marble used to fabricate the great central fireplace and clad the eight square pillars framing the atrium. The central cupboard section, with its grill of wrought-iron scrollwork and silver stylized chrysanthemums, reflected the Oriental design of the adjoining "Japanese Parlour" as well as the stair rail leading upwards from the atrium. Below the grill, large carved oak swags ending in silvered loop pulls on the face of a drawer could also be found incorporated into the architectural frieze of the atrium and adorning other furniture there and in the library. Finally, the legs at each end of the console with their carved masques and representations of human feet clad in sandals relayed the overall "Greek Renaissance" design of the interior as well as the specific Egyptian and Grecian elements of the drawing room just off the atrium. Such a combination of decorative iconography, rich materials, and mammoth scale conveyed to any visitor the power and wealth of the owner, Mr. Vanderbilt.

William H. Vanderbilt (1821-1885) inherited a fortune of $90,000,000 in 1877 from his father, "The Commodore" Cornelius Vanderbilt, founder of the family's empire of steamships and railroads. In 1879-80, he began construction on the house at 640 Fifth Avenue which was to be not only the costliest but largest house on "Vanderbilt Row," the section of Fifth Avenue that stretched from Fifty-first Street to Central Park. It was reported to have cost almost $2,000,000 to construct and employed over six hundred workmen. Although Mr. Vanderbilt lived to see his palace completed in 1882, he died only a few years later in the library in 1885. The house and contents then passed to his heirs and was leased to Henry Clay Frick for ten years before he built his own house further up the Avenue. By 1915 when Cornelius Vanderbilt III and his wife Grace moved in, the stylish Herter Brothers interiors were hopelessly out of date. They decided to embark on a complete redecoration, and it was at this point that the home was completely gutted and the earlier furnishings dispersed. Very few of the original pieces are known to have survived, and most of these are now in museum collections, including the Metropolitan Museum of Art, New York; Museum of Fine Arts, Houston; and the High Museum of Art, Atlanta. Ultimately, the house was razed in 1946 -- by then a crumbling relic of its glorious past.

Adapted from
  • DMA unpublished material, 2004.
  • Stephen Harrison, "Vanderbilt console," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 237.

Fun Facts

Archival Resources

Web Resources
 
  • InCollect.com~Read "Artistic Furniture Of The Gilded Age: Herter Brothers And The William H. Vanderbilt House."
  • MET~See a the Vanderbilt residence, 640 Fifth Avenue, New York.

Notes
  • changed provenance to comply with Guidelines and Procedures for Provenance display
  • DMA unpublished material = Curatorial notes, revised February 2004

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1881-d.1885: Collection of William H. Vanderbilt (1821-1885), New York, New York

After 1885: Vanderbilt family, thence by descent from the above  

1984-1985: unidentified antiques shop specializing in oak, purchased from an estate auction that had been one of the Vanderbilt homes [2]

1985-1995: unidentified owner, Bay Area [2], purchased from above

Until 1995: Margot Johnson, Inc., New York, New York, purchased at auction, Butterfield & Butterfield Fine Art Auctioneers and Appraisers, June 7 & 8, 1995, San Francisco, CA [2]

From 1996: Dallas Museum of Art, purchased from above [1]

[1] See copy of check 6067 in Collections Records Object File (1996.213.A-E)
[2] See 1995 article from Maine Antique Digest, paper form in Collections Records Object File (1996.213.A-E)

AUDIO ASSETS 
13312164: UMO. Listen to "Scarlett Doesn't Live Here Anymore: Rethinking the Great Houses of Charleston, South Carolina," a lecture by J. Thomas Savage, Jr., Curator and Director of the Museum Division of Historic Charleston Foundation, celebrating th DMA Collection acquisition of the Herter Brothers, Vanderbilt Console, 1996.213.A-E

VIDEO ASSETS

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Objects
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1996.213.A-E
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luxury (concept / condition): DMA
*Decorative Arts and Design
furniture: AAT: 300037680
furnishings (Hierarchy Name): AAT: 300037335
iron (metal): AAT: 300011002
power: AAT: 300374809
wealth: AAT: 300055767
silver (metal): AAT: 300011029
New York (New York/United States): TGN: 7007567
Neoclassical (style): AAT: 300021477
marble: AAT: 300011443
scrollwork (patterns): AAT: 300010205
oak (wood): AAT: 300012264
interior design: AAT: 300054184
Herter Brothers: ULAN: 500274670
13312164: UMO
stylization: AAT: 300055836
console tables: AAT: 300039580
grilles (barrier elements): AAT: 300002015
wrought iron: AAT: 300011012
source file
object_notes_4_a-0182.xml.nores