1994.7.a-b, Thermos (Model 549), Henry Dreyfuss (designer), The American Thermos Bottle Company (maker), 1936



GENERAL DESCRIPTION
Henry Dreyfuss's thermos is an accomplished example of streamlined design. The forms of the handle, jug, and lid are harmoniously integrated into a continuous shape that follows all the canons of streamlined design. The flat lid, neck, and bottom of the handle, along with the horizontal lines molded into the base, cleverly emphasize horizontality, while the gentle, downward curves of the body, echoed by the perfectly proportioned handle, give the unmistakable feeling of surfaces delicately sculpted by the flow of air around them.

This thermos (model no. 549) was available in several sizes and is typical of the new types of materials and streamlined designs introduced in the 1930s. The inner glass thermos bottle is enclosed in an aluminum and enameled steel shell. Some firms, like Gorham, had introduced lines of aluminum wares earlier, but it was in the 1930s that the metal was first used extensively. Here the material is given a "machine" aesthetic through bold geometric shaping and a brushed surface. After World War II, stamped and spun aluminum table ware became increasingly popular.

The presence of the designer's name in facsimile script on this object is important. Henry Dreyfuss (1903-1972) was one of this country's most famous industrial designers during the second quarter of the twentieth centruy. By marking its wares with his name, the manufacturer hoped to increase sales to consumers who desired "designer" products.

Drawn from
  • DMA unpublished material.
  • Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 354.
  • Martin P. Eidelberg, Design 1935-1965: What Modern Was (New York: H.N. Abrams, 1991), 82.

NOTES
Geo Xrefs - place of origin
GeoXrefs - constituent place of birth
GeoXrefs - constituent place of death
Text entry - updated text for the publication entry -- it previously only had the word "text" written in it. 
Published References
Provenance

Catalogue essays

Artist/designers
Dreyfuss_Henry: ULAN: 500059346

Cultures

Geography 
Norwich (Connecticut): TGN: 70014246

Process/materials
steel (alloy): AAT: 300133751
aluminum: AAT: 300011015
Bakelite (TM): AAT: 300014544

Historical periods
Streamlined Moderne: 300212738

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
About 1936: The American Thermos Bottle Company (manufacturer), Norwich, Connecticut 

Until 1994: David T. Owsley (collector), New York, New York [1]

From 1994: Dallas Museum of Art, gift of David T. Owsley (collector) via the Alconda-Owsley Foundation on 4/2/1994 [1]

[1] According to the following documents found in the DMA object file: DMA Acquisition considerations dated January 10, 1994, DMA Object receipt form dated January 14, 1994, DMA note on DMA letterhead dated March 24, 1994 addressed to David T. Owsley from Charles Venable (former chief curator of the DMA Decorative Arts and Design), DMA Acquisition Record dated March 16, 1994, and Deed of Gift signed by David T. Owsley dated April 2, 1994 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
PBS American Experience~Read more about Industrial Designers and Streamliners
Henry Dreyfuss~Read more about American industrial designer, Henry Dreyfuss

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where id equals 3227058


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AND
General Description
Henry Dreyfuss's thermos is an accomplished example of streamlined design. The forms of the handle, jug, and lid are harmoniously integrated into a continuous shape that follows all the canons of streamlined design. The flat lid, neck, and bottom of the handle, along with the horizontal lines molded into the base, cleverly emphasize horizontality, while the gentle, downward curves of the body, echoed by the perfectly proportioned handle, give the unmistakable feeling of surfaces delicately sculpted by the flow of air around them.

This thermos (model no. 549) was available in several sizes and is typical of the new types of materials and streamlined designs introduced in the 1930s. The inner glass thermos bottle is enclosed in an aluminum and enameled steel shell. Some firms, like Gorham, had introduced lines of aluminum wares earlier, but it was in the 1930s that the metal was first used extensively. Here the material is given a "machine" aesthetic through bold geometric shaping and a brushed surface. After World War II, stamped and spun aluminum table ware became increasingly popular.

The presence of the designer's name in facsimile script on this object is important. Henry Dreyfuss (1903-1972) was one of this country's most famous industrial designers during the second quarter of the twentieth centruy. By marking its wares with his name, the manufacturer hoped to increase sales to consumers who desired "designer" products.

Drawn from
  • DMA unpublished material.
  • Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 354.
  • Martin P. Eidelberg, Design 1935-1965: What Modern Was (New York: H.N. Abrams, 1991), 82.

Fun Facts

Archival Resources

Web Resources
 
PBS American Experience~Read more about Industrial Designers and Streamliners
Henry Dreyfuss~Read more about American industrial designer, Henry Dreyfuss

Notes
Geo Xrefs - place of origin
GeoXrefs - constituent place of birth
GeoXrefs - constituent place of death
Text entry - updated text for the publication entry -- it previously only had the word "text" written in it. 
Published References
Provenance

Catalogue essays

Artist/designers
Dreyfuss_Henry: ULAN: 500059346

Cultures

Geography 
Norwich (Connecticut): TGN: 70014246

Process/materials
steel (alloy): AAT: 300133751
aluminum: AAT: 300011015
Bakelite (TM): AAT: 300014544

Historical periods
Streamlined Moderne: 300212738

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
About 1936: The American Thermos Bottle Company (manufacturer), Norwich, Connecticut 

Until 1994: David T. Owsley (collector), New York, New York [1]

From 1994: Dallas Museum of Art, gift of David T. Owsley (collector) via the Alconda-Owsley Foundation on 4/2/1994 [1]

[1] According to the following documents found in the DMA object file: DMA Acquisition considerations dated January 10, 1994, DMA Object receipt form dated January 14, 1994, DMA note on DMA letterhead dated March 24, 1994 addressed to David T. Owsley from Charles Venable (former chief curator of the DMA Decorative Arts and Design), DMA Acquisition Record dated March 16, 1994, and Deed of Gift signed by David T. Owsley dated April 2, 1994 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
id
Equals
3227058
tags
#draft
#completed
%copyedited_Gail
%Archived
vessels (containers): AAT: 300193015
glass (material): AAT: 300010797
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
steel (alloy): AAT: 300133751
machine aesthetic: AAT: 300056182
Streamlined Moderne: AAT: 300253564
streamlining: AAT: 300056322
industrial design: AAT: 300054183
drinking: AAT: 300379698
horizontality (form and composition concepts): AAT: 300065463
industrial designers: AAT: 300025203
rubber (material): AAT: 300012941
silver (color): AAT: 300311368
aluminum: AAT: 300011015
Bakelite (TM): AAT: 300014544
Dreyfuss_Henry: ULAN: 500059346
Norwich (Connecticut/United States): TGN: 70014246
Thermoses (TM): AAT: 300395612
source file
object_notes_4_a-0152.xml.nores