GENERAL DESCRIPTION
Charles Biederman, in the Constructivist tradition, pioneered the development of what he calls the "Structurist" relief-- planes of color which create spatial and optical effects against a strongly colored ground. In addition to the Constructivists, Biederman drew inspiration from the paintings of Paul Cézanne. Like Cézanne, many of the forms in Biederman's constructions are ultimately derived from those in nature.
Adapted from
DMA unpublished material, 1977.
NOTES
DMA unpublished material = DMFA acquisition proposal (1977.14), 1977
Check classification to reflect both painting and sculpture.
Added books authored by Biederman to the bibliography text-entry field in TMS:
Biederman, Charles. Art as the Evolution of Visual Knowledge (Red Wing: 1948).
Biederman, Charles. Letters on the New Art, (Red Wing, 1951).
Biederman, Charles. The New Cezanne: From Monet to Mondrian, (Red Wing, 1958).
Biederman, Charles. An Art Credo (Lanark, 1965)
Biederman, Charles. Search for New Arts (Red Wing, 1979)
Biederman, Charles. Art-Science-Reality (Red Wing, 1988)
Catalogue essays
Artist/designers
Cultures
Geography
place of origin- Red Wing, MN
Process/materials
painted aluminum
Historical periods
Individuals
Paul Cézanne
Subject terms
blue
geometric
relief
ground (surface)
plane
nature
abstract
RELATED OBJECTS
PROVENANCE
Until 1977: Merrill C. Rueppel, Needham, Massachusetts
From 1977: Dallas Museum of Fine Arts, purchased [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1977.14
Category
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General Description
Charles Biederman, in the Constructivist tradition, pioneered the development of what he calls the "Structurist" relief-- planes of color which create spatial and optical effects against a strongly colored ground. In addition to the Constructivists, Biederman drew inspiration from the paintings of Paul Cézanne. Like Cézanne, many of the forms in Biederman's constructions are ultimately derived from those in nature.
Adapted from
DMA unpublished material, 1977.
Fun Facts
Archival Resources
Web Resources
Notes
DMA unpublished material = DMFA acquisition proposal (1977.14), 1977
Check classification to reflect both painting and sculpture.
Added books authored by Biederman to the bibliography text-entry field in TMS:
Biederman, Charles. Art as the Evolution of Visual Knowledge (Red Wing: 1948).
Biederman, Charles. Letters on the New Art, (Red Wing, 1951).
Biederman, Charles. The New Cezanne: From Monet to Mondrian, (Red Wing, 1958).
Biederman, Charles. An Art Credo (Lanark, 1965)
Biederman, Charles. Search for New Arts (Red Wing, 1979)
Biederman, Charles. Art-Science-Reality (Red Wing, 1988)
Catalogue essays
Artist/designers
Cultures
Geography
place of origin- Red Wing, MN
Process/materials
painted aluminum
Historical periods
Individuals
Paul Cézanne
Subject terms
blue
geometric
relief
ground (surface)
plane
nature
abstract
RELATED OBJECTS
PROVENANCE
Until 1977: Merrill C. Rueppel, Needham, Massachusetts
From 1977: Dallas Museum of Fine Arts, purchased [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1977.14
source file
object_notes_4_a-0132.xml.nores