2002.24 Nevada 1, Nevada


GENERAL DESCRIPTION
In 1999, Thomas Struth traveled throughout the storied American West, seeking out its particular landscape. In Nevada, Struth found a subject that challenged him to capture without sentimentality or exaggeration the land that has been the site of so much American mythology. To make this photograph Struth placed his camera on the shaded side of a mesa overlooking the vast Nevada desert. Immediately evident is the shadowed contour of the rock outcrop and the spiky vegetation that lead down diagonally from the picture's upper right corner. The shadow is so dark because the sun bearing down on the desert is so intensely bright, an impression confirmed by the clear blue sky fully dominating the upper half of the composition. On the left lower corner, we see a line meandering to the center horizon of further mesas in the distance. The line turns out to be a road which appears to be no more than a trail. Nevada 1 shows Struth drawing out a composition from a landscape that is flat and barren and mostly devoid of human presence; and that relies on the unmitigated sun for its visual clarity.

Adapted from
Charles Wylie, DMA unpublished material, 2001.

NOTES
DMA unpublished material = Charles Wylie, Acquisition Proposal. In Collections Records object file (2002.24).

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PROVENANCE 
Until 2002: Thomas Struth (b. 1954)

2002: Dallas Museum of Art, purchased through Marian Goodman Gallery, New York

Notes:
The main source for this provenance is the copy of the invoice dated January 23, 2002, in the Collections Records object file (2002.24).

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General Description
In 1999, Thomas Struth traveled throughout the storied American West, seeking out its particular landscape. In Nevada, Struth found a subject that challenged him to capture without sentimentality or exaggeration the land that has been the site of so much American mythology. To make this photograph Struth placed his camera on the shaded side of a mesa overlooking the vast Nevada desert. Immediately evident is the shadowed contour of the rock outcrop and the spiky vegetation that lead down diagonally from the picture's upper right corner. The shadow is so dark because the sun bearing down on the desert is so intensely bright, an impression confirmed by the clear blue sky fully dominating the upper half of the composition. On the left lower corner, we see a line meandering to the center horizon of further mesas in the distance. The line turns out to be a road which appears to be no more than a trail. Nevada 1 shows Struth drawing out a composition from a landscape that is flat and barren and mostly devoid of human presence; and that relies on the unmitigated sun for its visual clarity.

Adapted from
Charles Wylie, DMA unpublished material, 2001.

Fun Facts

Archival Resources

Web Resources
 

Notes
DMA unpublished material = Charles Wylie, Acquisition Proposal. In Collections Records object file (2002.24).

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2002: Thomas Struth (b. 1954)

2002: Dallas Museum of Art, purchased through Marian Goodman Gallery, New York

Notes:
The main source for this provenance is the copy of the invoice dated January 23, 2002, in the Collections Records object file (2002.24).

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VIDEO ASSETS

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@Bilal-Gore
*Contemporary Art
landscapes (representations): AAT: 300015636
rock (inorganic material): AAT: 300011692
sky: AAT: 300263064
blue (color): AAT: 300129361
shadows: AAT: 300056036
light (energy): AAT: 300056024
suns (stars): AAT: 300379806
deserts: AAT: 300008916
photography (discipline): AAT: 300389795
roads: AAT: 300008217
sunlight: AAT: 300056028
vegetation: AAT: 300266061
horizon line: AAT: 300067731
Struth_Thomas: ULAN: 500037064
mesas (landforms): AAT: 300008811
color photographs: AAT: 300128359
Nevada (state/United States): TGN: 7007526
source file
object_notes_4_a-0123.xml.nores