GENERAL DESCRIPTION
Dallas Parking Lot, Dallas was taken by Thomas Struth in February 2001, when he was making a tour of the four American cities where his retrospective exhibition would be seen - Dallas, Los Angeles, New York, and Chicago. Struth was initially drawn to the corporate landscape near Dallas-Fort Worth airport, a vast array of huge new architectural projects conceived as campuses of mammoth interlocking structures rather than discrete buildings. Ultimately, Struth settled not in this often-fantastic land but in downtown Dallas for his final work, choosing this image from a number of negatives.
Adapted from
Charles Wylie, "A History of Now: The Art of Thomas Struth," in Thomas Struth (Dallas: Dallas Museum of Art, 2002), 147-155.
NOTES
Thomas Struth, DMA 2002 (added)
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RELATED OBJECTS
PROVENANCE
Until 2002: Thomas Struth (b. 1954)
2002: Dallas Museum of Art, gift of Thomas Struth and Marian Goodman Gallery
Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2002.51).
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WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 2002.51
Category
rules_operator
AND
General Description
Dallas Parking Lot, Dallas was taken by Thomas Struth in February 2001, when he was making a tour of the four American cities where his retrospective exhibition would be seen - Dallas, Los Angeles, New York, and Chicago. Struth was initially drawn to the corporate landscape near Dallas-Fort Worth airport, a vast array of huge new architectural projects conceived as campuses of mammoth interlocking structures rather than discrete buildings. Ultimately, Struth settled not in this often-fantastic land but in downtown Dallas for his final work, choosing this image from a number of negatives.
Adapted from
Charles Wylie, "A History of Now: The Art of Thomas Struth," in Thomas Struth (Dallas: Dallas Museum of Art, 2002), 147-155.
Fun Facts
Archival Resources
Web Resources
Notes
Thomas Struth, DMA 2002 (added)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2002: Thomas Struth (b. 1954)
2002: Dallas Museum of Art, gift of Thomas Struth and Marian Goodman Gallery
Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2002.51).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2002.51
source file
object_notes_4_a-0121.xml.nores