1985.R.206, Candlestick, England, c. 1740-1760


GENERAL DESCRIPTION  
This candlestick and its mate take full advantage of the brilliant, reflective quality of lead glass. The rings, the ribs on the domed foot, the faceted aspect of the stems, and the balls containing air bubbles were all designed to catch the light. When holding a burning candle in the dim interiors of the 18th century, this piece of glass must have glistened beautifully. If desired, cut decoration could also be applied to this model. Occasionally, such cut decoration was added to bases at a later date to disguise chips around the foot rim. 

Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 88.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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Apply to objects where number equals 1985.R.206

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General Description
 
This candlestick and its mate take full advantage of the brilliant, reflective quality of lead glass. The rings, the ribs on the domed foot, the faceted aspect of the stems, and the balls containing air bubbles were all designed to catch the light. When holding a burning candle in the dim interiors of the 18th century, this piece of glass must have glistened beautifully. If desired, cut decoration could also be applied to this model. Occasionally, such cut decoration was added to bases at a later date to disguise chips around the foot rim. 

Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 88.

Fun Facts

Archival Resources

Web Resources
 
Notes
TMS Updates
search dates
place of origin
provenance
bibliography
published references
text entry

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1985.R.206
tags
#draft
#completed
%copyedited_Gail
%Archived
glassware: AAT: 300010898
glass decorating techniques: AAT: 300155502
glass (material): AAT: 300010797
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
cutting (glassworking): AAT: 300233397
tableware: AAT: 300043196
candlesticks: AAT: 300037588
candleholders: AAT: 300037583
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
England (nation): TGN: 7002445
reflectivity (optical property): AAT: 300056322
dome: AAT: 300001280
domed: AAT: 300187629
lead glass: AAT: 300010811
faceting: AAT: 300236211
air traps (decorative glass components): AAT: 300233387
source file
object_notes_4_a-0117.xml.nores