GENERAL DESCRIPTION
This cruet set is an example of the attractive yet functional type of glass often produced by French glasshouses. This form of cruet set, consisting of a holder containing two bottles, was popular in France throughout the 18th and into the early 19th century. Although such sets were made at many glasshouses, this particular example belongs to a group believed to come from Normandy. The engraved decoration of stars and branches is in the neoclassical taste. This style first appeared in European decorative arts in the third quarter of the 18th century and was dominant in France by the 1780s.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 78.
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Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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Apply to objects where number equals 1985.R.170.a-e
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General Description
This cruet set is an example of the attractive yet functional type of glass often produced by French glasshouses. This form of cruet set, consisting of a holder containing two bottles, was popular in France throughout the 18th and into the early 19th century. Although such sets were made at many glasshouses, this particular example belongs to a group believed to come from Normandy. The engraved decoration of stars and branches is in the neoclassical taste. This style first appeared in European decorative arts in the third quarter of the 18th century and was dominant in France by the 1780s.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 78.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
search dates
place of origin
provenance
bibliography
published references
text entry
title
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
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1985.R.170.a-e
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object_notes_4_a-0115.xml.nores