1985.R.170.a-e, Cruet Set, Normandy, France, c. 1775-1800


GENERAL DESCRIPTION  
This cruet set is an example of the attractive yet functional type of glass often produced by French glasshouses. This form of cruet set, consisting of a holder containing two bottles, was popular in France throughout the 18th and into the early 19th century. Although such sets were made at many glasshouses, this particular example belongs to a group believed to come from Normandy. The engraved decoration of stars and branches is in the neoclassical taste. This style first appeared in European decorative arts in the third quarter of the 18th century and was dominant in France by the 1780s. 

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 78.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
 
This cruet set is an example of the attractive yet functional type of glass often produced by French glasshouses. This form of cruet set, consisting of a holder containing two bottles, was popular in France throughout the 18th and into the early 19th century. Although such sets were made at many glasshouses, this particular example belongs to a group believed to come from Normandy. The engraved decoration of stars and branches is in the neoclassical taste. This style first appeared in European decorative arts in the third quarter of the 18th century and was dominant in France by the 1780s. 

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 78.

Fun Facts

Archival Resources

Web Resources
 
Notes
TMS Updates
search dates
place of origin
provenance
bibliography
published references
text entry
title

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.170.a-e
tags
#draft
#completed
%copyedited_Gail
%Archived
glassware: AAT: 300010898
glass (material): AAT: 300010797
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
lids (covers): AAT: 300045712
bottles: AAT: 300045627
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
engraving (action): AAT: 300053829
decorating (process): AAT: 300056257
Neoclassical (style): AAT: 300021477
France (nation): TGN: 1000070
Normandy (France): TGN: 7002886
cruets (condiment bottles): AAT: 300043035
cruet stands: AAT: 300043034
stars (motifs): AAT: 300009811
source file
object_notes_4_a-0115.xml.nores