GENERAL DESCRIPTION
With music by Patrick Gleeson, this film presents the virtuosity of Conner's editing techniques. Using only a few images (a young girl, a canal and a road, a drop of liquid splashing, clouds, and other unnameable forms) he mixes and matches them in fluctuating rhythms, and combines them to connote enigmatic relationships that are more akin to the art of poetry than film.
Adapted from
Claire Rifelj and Suzanne Weaver, DMA unpublished, 2005.
NOTES
DMA unpublished material = Claire Rifelj and Suzanne Weaver, "Acquisition Proposal," March 16, 2005. In Collections Records object file (2005.21.9).
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PROVENANCE
2005: Dallas Museum of Art, gift of Michael Kohn Gallery
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apply to objects where number equals 2005.21.9
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General Description
With music by Patrick Gleeson, this film presents the virtuosity of Conner's editing techniques. Using only a few images (a young girl, a canal and a road, a drop of liquid splashing, clouds, and other unnameable forms) he mixes and matches them in fluctuating rhythms, and combines them to connote enigmatic relationships that are more akin to the art of poetry than film.
Adapted from
Claire Rifelj and Suzanne Weaver, DMA unpublished, 2005.
Fun Facts
Archival Resources
Web Resources
Notes
DMA unpublished material = Claire Rifelj and Suzanne Weaver, "Acquisition Proposal," March 16, 2005. In Collections Records object file (2005.21.9).
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
2005: Dallas Museum of Art, gift of Michael Kohn Gallery
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2005.21.9
source file
object_notes_4_a-0092.xml.nores