GENERAL DESCRIPTION
Along with many fellow Japanese in the 1930s, Manabu Mabe immigrated to southern Brazil as a young boy. During the day, Mabe and his family worked on the coffee plantations, and in the evenings he continued his Japanese education. His academic and literary training were critical to his formation as an artist, as demonstrated by his use of calligraphic brushstrokes in later works. In Sakuhin, the artist methodically builds up layers of paint saturated in diluents such as kerosene and turpentine. The result is a strikingly smooth surface with minimal texture. Working with highly diluted pigments allowed Mabe to modify the shapes that emerged in his work by rubbing and smearing forms until satisfied.
Excerpt from
Erin Piñon, Tower Gallery: Latin American Art, Label text, 2017.
NOTES
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Mabe_Manabu: ULAN: 500103221
Cultures
Geography
Kumamoto (inhabited place / Japan): TGN: 7004598
Japan (nation): TGN: 1000120
Brazil: TGN: 1000047
São Paulo (state / Brazil): TGN: 1001945
São Paulo (inhabited place / Brazil): TGN: 7017121
Process/materials
oil paint: AAT: 300015050
board: AAT: 300014616
composition wood board (composition board): AAT: 300411316
Historical periods
Individuals
Subject terms
painting (visual works): AAT: 300033618
immigrants: AAT: 300025844
coffee (food / dye): AAT: 300254662
plantations (agricultural complexes): AAT: 300000240
education: AAT: 300054360
literature (humanities): AAT: 300054273
calligraphy (process): AAT: 300053162
calligraphy (visual works): AAT: 300266660
brush strokes: AAT: 300185434
layers (components): AAT: 300226788
paint (coating): AAT: 300015029
paint layers: AAT: 300178450
thinner (solvent / diluents): AAT: 300014729
kerosene (aliphatic hydrocarbon / hydrocarbon solvent): AAT: 300015267
turpentine (oil / solvent): AAT: 300015288
smooth (smoothness / texture): AAT: 300056364
figures (representations): AAT: 300189808
form (composition concepts): AAT: 300056272
geometric shape: AAT: 300263819
geometric motifs: AAT: 300009764
geometric abstraction: AAT: 300056509
curves (geometric figures): AAT: 300378887
curvilinear (shape): AAT: 300154222
lines (geometric concept): AAT: 300056279
squares (geometric figures): AAT: 300055637
RELATED OBJECTS
PROVENANCE
From 1959: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from the artist [1], [2], [3], [4]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Manabu Mabe to Jerry Bywaters, Director of the Dallas Museum of Fine Arts (dated April 06, 1960, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is letter (inventory list) (n.d., copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[4] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1959.49
Category
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General Description
Along with many fellow Japanese in the 1930s, Manabu Mabe immigrated to southern Brazil as a young boy. During the day, Mabe and his family worked on the coffee plantations, and in the evenings he continued his Japanese education. His academic and literary training were critical to his formation as an artist, as demonstrated by his use of calligraphic brushstrokes in later works. In Sakuhin, the artist methodically builds up layers of paint saturated in diluents such as kerosene and turpentine. The result is a strikingly smooth surface with minimal texture. Working with highly diluted pigments allowed Mabe to modify the shapes that emerged in his work by rubbing and smearing forms until satisfied.
Excerpt from
Erin Piñon, Tower Gallery: Latin American Art, Label text, 2017.
Fun Facts
Archival Resources
Web Resources
Notes
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Mabe_Manabu: ULAN: 500103221
Cultures
Geography
Kumamoto (inhabited place / Japan): TGN: 7004598
Japan (nation): TGN: 1000120
Brazil: TGN: 1000047
São Paulo (state / Brazil): TGN: 1001945
São Paulo (inhabited place / Brazil): TGN: 7017121
Process/materials
oil paint: AAT: 300015050
board: AAT: 300014616
composition wood board (composition board): AAT: 300411316
Historical periods
Individuals
Subject terms
painting (visual works): AAT: 300033618
immigrants: AAT: 300025844
coffee (food / dye): AAT: 300254662
plantations (agricultural complexes): AAT: 300000240
education: AAT: 300054360
literature (humanities): AAT: 300054273
calligraphy (process): AAT: 300053162
calligraphy (visual works): AAT: 300266660
brush strokes: AAT: 300185434
layers (components): AAT: 300226788
paint (coating): AAT: 300015029
paint layers: AAT: 300178450
thinner (solvent / diluents): AAT: 300014729
kerosene (aliphatic hydrocarbon / hydrocarbon solvent): AAT: 300015267
turpentine (oil / solvent): AAT: 300015288
smooth (smoothness / texture): AAT: 300056364
figures (representations): AAT: 300189808
form (composition concepts): AAT: 300056272
geometric shape: AAT: 300263819
geometric motifs: AAT: 300009764
geometric abstraction: AAT: 300056509
curves (geometric figures): AAT: 300378887
curvilinear (shape): AAT: 300154222
lines (geometric concept): AAT: 300056279
squares (geometric figures): AAT: 300055637
RELATED OBJECTS
PROVENANCE
From 1959: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from the artist [1], [2], [3], [4]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Manabu Mabe to Jerry Bywaters, Director of the Dallas Museum of Fine Arts (dated April 06, 1960, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is letter (inventory list) (n.d., copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[4] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1959.49
source file
object_notes_4_a-0016.xml.nores